3D Creative December 2015

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3DCREATIVE MAGAZINE | Designing a fantasy character Painting hard surfaces: For hardsurface texturing I use ‘Mask by cavity’ 21 the same way, but in addition to that I use two extra brushes. I use the TrimDynamic brush with RGB turned on, which constrains the painting at the edges only. With this we can get a torn edge effect. I also use the Pen A brush, which helps to create lines from thin to thick, and is good for scratch effects. Color maps: Later on I’ll use these maps 22 as masks for creating layered shaders. Pictured, you can see the color maps for the body. For the specular map, I combine the desaturated color map with the displacement map, then paint and adjust a few areas in Photoshop. Area lights: For the lighting setup, I 23 use four area lights. All the area lights’ attenuation is on, and the sampling quality is increased for a quality render. One environment light uses an HDR image (the yellow box). Further shader setup: I double-click 24 the mantraSurface shader that I created for displacement and open up the inside network section. I follow the same workflow here for the UDIM that I followed for displacement, but this time I connect the ‘add’ node to the surface model’s ‘sss_clr’. Further test renders: These are a few 25 settings I use for the mantraSurface shader to create skin for the body. Pictured are a skin shader test rendered with the color and Texture painting for hard-surface accessories The model’s map so far A simple area light setup for the model More mantraSurface shader setup 3DCREATIVEMAG.COM
3DCREATIVE MAGAZINE | ISSUE 124 Testing the skin shaders with a new render Rendering settings and results displacement maps only, and finally a skin shader rendered with the color, displacement, specular and attenuation color maps. Rendering cloth and accessories: 26 See pictured here the render settings for the metal and leather surfaces, and also some close-ups of the rendered surfaces, including the stitched border detailing and elemental motifs designed at the beginning. 109
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Junior Editor Marisa Lewis marisa@3
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Mecha design Jonathan Renaux Year c
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