3D Creative December 2015

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3DCREATIVE MAGAZINE | Presenting assets in Marmoset Viewer change the background to black so I don’t get affected by the background image. Select the Main Camera in the scene viewer, and under Post Effects/Color, select ‘Curves’. This opens the Curve Editor window, which works the same as Levels in Photoshop. I adjust the red, green and blue channels individually to get the desired effect: I add more red in the highlights and less in the shadows, and do the opposite in the blue channel, leaving the green roughly as default. This helps push the reds in the blood and paint and the blues in the metal and darker areas. Final scene: To finish off the scene, 15 I switch the background image back on but give it a slight blur. I feel the black is too simple and I like the subtle colors coming through, which really help make it look more photorealistic. Blurring the background keeps the viewer’s eye on the asset and our artwork. In the Render tab I enable Ambient Occlusion and set it to maximum, and make sure Local Reflection, High-Res Shadow and Front Face Shadows are all enabled. These settings won’t make it through to Marmoset Viewer but will make our rendered images look higher quality. Before we export, position the camera the way you want the viewer to be first presented, with the shield as shown in the image. Exporting to Marmoset Viewer: Now 16 the scene is complete, click File > Viewer Export and you are presented with the Marmoset Viewer export window. Fill in all the fields to make sure your artwork is presented professionally, then browse to the location you want the export to go to. I keep all settings as default but make sure Auto Play is enabled and click Export. Marmoset will now package up the scene and export two files ready to be uploaded to the internet. Here is the official link to guide you through presenting your viewer work on websites. Using the Curve Editor to color correct the scene Final view before exporting to Marmoset Viewer The share section is most helpful, showing you how to add it to portfolio galleries such as ArtStation. You can also get the embedded code to link to your uploads. You can view the finished asset in Marmoset Viewer here, or visit my profile to see the asset and more single images. This now concludes my tutorial on making a Viking shield and exporting it to the new Marmoset Viewer. I hope you have found it useful, exploring the new software now available to us artists. Substance Painter really does make texturing easy, and the Marmoset Viewer is a great way to quickly and professionally present your work in a real-time engine. Exporting the finished scene to the Marmoset Viewer 3DCREATIVEMAG.COM
3DCREATIVE MAGAZINE | ISSUE 124 YOU CAN VIEW THE FINISHED ASSET IN MARMOSET VIEWER BY CLICKING HERE 93
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