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No. 2 - Its Gran Canaria Magazine

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18

GET TO KNOW GRAN CANARIA I CONOCE GRAN CANARIA Nº 2

A brief history of

The construction of large dams in Gran Canaria

BY JAIME J. GONZÁLEZ GONZÁLVEZ. GEOGRAPHER

SPANISH VOCAL OF THE INTERNATIONAL COMMISSION ON LARGE DAMS

The water landscape in Gran Canaria is made up

of thousands of hydraulic works built to ensure the

maximum use of superficial water supplies (piping,

ponds, dams) and the accessing of groundwater

(mines, adits and wells). The many hydraulic companies

are a sign of the laborious work carried out

on the island, although many of their constructions

fade somewhat into the island’s heterogeneous

features, namely vegetation, farming, villages,

houses, roads, and so on. Therefore, the works

that are easiest to spot and to visit are those dams

with reservoirs with an altitude superior to 15 metres

from the lowest point of their foundations up

to the highest point of their resistant structure: the

so called large dams.

Despite the technical difficulties involved in blocking

off the flow of water of a ravine, 78 large dams

were constructed during the 20th century, although

up to 329 reached the design stage. These

two figures are enough to gauge the importance

of the efforts made to capture and/or store water

by means of large dams here on an island that

measures barely 1,560 km², hence the expression

the land is the least of our concerns, what is important

is water. Of all the large dams, the one to

highlight is the construction of Soria dam, the only

arch dam built on the Canary Archipelago, and

standing at a lofty 132 metres, putting it among the

highest dams in Spain.

Construction on the dam began before the first

concessions were given to the San Lorenzo and

Pinto dams in 1904. The need to have greater water

flow to enable the watering of farmland made

the digging of the foundations, the first few metres

of the wall and a number of other accessory

works (water feeds, channels, piping, tunnels, etc.)

we made prior to any authorisation being granted

by the Public Works Department. San Lorenzo suffered

an incident during its construction when water

revealed a single crack in the ground that had

been around since time immemorial, meaning the

dam was left unfinished until its height was later

raised in the 1960s; while the Pinto dam in Arucas,

whose construction was finished in 1910 and is the

oldest dam in the Canary Islands, inspired other

private parties to build their own dams at other

similar ravines in the north of Gran Canaria. The

coastline, which at the end of the 19th century was

barren and unproductive, became highly productive

fertile terrain in the 1950s, with agriculture almost

being carried out on a gardening level.

▲▼

Presa de Soria. Photos Pepe Dévora

The bodies of the oldest dams at Pinto, Marquesa,

Hormiguero, Cueva Grande, Sabinal, Cuevas Blancas,

and so on, were built of masonry using lime

mortar, while the complete and long-lasting impermeability

of the upper facing was achieved with

a simple plastering of lime mortar and cement. In

general, nearly all of the dams have a curved shape

and a slim profile, although some of them were

never finished. From an artistic viewpoint, the older

dams had some highly fascinating aesthetic features:

highly beautiful staggered embankments,

ample crests of variable lengths featuring stunning

stone parapets, unique staircases providing

access to a multitude of water inlets, corner edges

for measuring water, etc. The older dams were constructed

by true master builders.

As for the dam basins, it is common in nearly all the

older dams to observe partial cladding with lime

mortar and cement. Geological evaluations on the

part of engineers were scarce in dam projects, but

in Gran Canaria if the ravine bed was permeable it

was made waterproof.

The second stage of construction of large dams

emerged when a mixture of lime mortar and cement

was used to build the thick walls of their

main body. As was the case of the older dams, engineers

continued to adopt the profile normally used

in gravity dams, using its own weight to counteract

the push of the water on it. Straight-faced dams

started to be built, although curved-faced dams

still dominated; old dams such as Las Niñas and

Los Hornos were completed; and on the most important

ravine in all the Canary Islands the Caidero

de la Niña dam was built, with a more modern concept.

At the top of the Tamadaba massif the first

dam made from loose materials was built, with its

dry stone rockfill in the body and hydraulic masonry

waterproofing screen (Presa de Tamadaba).

In the 1960s not only were many dams finished

with masonry using bastard mortar comprising

lime and cement, the work for which had started

over previous decades (Presa de Chira), construction

also started in 1962 on the Soria arch dam

(made of concrete) while the walls of other masonry

dams were raised by using only cement mortar

and a concrete screen.

Finally, in the 1970s work was finalised on masonry

concrete dams with stonework parameters finished

off in concrete , such as at Parralillo, Gambuesa

or Fataga; the unique raising of El Mulato

dam with concrete; some concrete dams, such as

El Conde in Amurga and Ariñez dam; and the striking

dams of Tirajana and Siberio made from loose

material, two recent works of art the result of the

collective efforts by dam engineers who let their

imagination run away with them as they managed

to close off two extraordinary ravines.

It is said that dams are the maximum expression

of power, an open book to technical evolution and

a mirror image of the relationship of man with nature;

and that by contemplating the conjunction of

the dam with its surroundings, our minds wonder

if all this forms a whole new type of monument. A

monument which blurs the distinction made between

nature and artifice that emanated from divinity:

that which we call a cultural landscape. All

the large dams are hydraulic works of high cultural

interest.

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