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สูจิบัตร งานสถาปนิก'65 : พึ่งพา อาศัย : Co-with Creators

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Main stage<br />

Puritat Cholpratin X Panachai Chaijirarat / Punyisa Sinraparatsamee<br />

Panachai Chaijirarat and Punyisa Sinraparatsamee,<br />

share their interest in various forms and dimensions<br />

of art, from contemporary to vernacular, to different<br />

interpretations of history, society and cultures through<br />

artistic presentation from the past to present in the<br />

northeastern region of Thailand. With his personal<br />

tastes and architectural background, Puritat<br />

Cholpratin of Thammada Architect from Phitsanulok,<br />

translates the distinctive characteristics of the two<br />

creators’ areas of knowledge into the design of<br />

Architect Expo 2022’s Main stage, taking inspiration<br />

from the unique spiral patterns of Udon Thani’s famous<br />

Ban Chiang Pottery.<br />

After researching available information and stories<br />

behind the spiral patterns, something that Chaijirarat<br />

and Sinraparatsamee are both interested in, the two<br />

founders of Noir Row Art Space in Udon Thani province<br />

discover that the spiral pattern or ‘kwan’ have been<br />

closely connected to a human body for the longest time.<br />

Spirals also hold a symbolic significance that has been<br />

associated <strong>with</strong> humans’ beliefs in the afterlife.<br />

Cholpratin develops the pattern into the architectural<br />

design of the pavilion they agreeably name ‘Spiral.’<br />

With the intention to use materials that are available<br />

in Udon Thani province, hold certain beliefs that are<br />

non-scientific yet symbolically meaningful, following<br />

the expo’s ‘CO-WITH CREATORS’ theme, cotton threads<br />

dyed in earth color by Udon Nakin, a group of artisans<br />

<strong>with</strong> the expertise in natural dyed Mudmee textile, is<br />

chosen to take the center stage of the creation of the<br />

space.<br />

The key attributes of the material is the color of the<br />

fabric obtained through the use of Naka soil and the<br />

yellow of marigold flowers that went through the rituals<br />

performed on the sacred ground of KhamChanod<br />

Temple, alongside leaves of mango trees, true indigo<br />

trees and Sappanwood trees growing in the Ban Dung’s<br />

district of Udon Thani. The design team utilizes a<br />

construction technique that formulates the pavilion’s<br />

architectural mass <strong>with</strong> dyed cotton threads. The<br />

arranged threads follow the frame designed into a thin<br />

partition wall, encircling the entire space.<br />

The parallel arrangement of the cotton threads creates<br />

the airiness and weightlessness that can be layered<br />

and superimposed. The Main stage functions as a<br />

multifunctional space that can flexibly accommodate<br />

different types of activities. The space also brings a<br />

fun, upbeat energy to the event, and at the same time,<br />

reflecting the coexistence between local communities<br />

and natural surroundings they are a part of.<br />

162I CO – WITH CREATORS<br />

CO – WITH CREATORS I163

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