สูจิบัตร งานสถาปนิก'65 : พึ่งพา อาศัย : Co-with Creators
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เน้อ็งจากประเดิ์็นขอ็ง ecology และ<br />
economy ณ จุดิ์ปัจจุบัน ทังทีเป็น<br />
อ็ยูแล้วและที ถูกขับเรงโดิ์ย COVID<br />
จนเกิดิ์เป็นสภูาพและสถานการณ์ที<br />
เป็นอ็ยูทังในประเทศิและทัวโลก ทีมผู้<br />
อ็อ็กแบบต้้อ็งการให้โอ็กาสทีสถาปนิก<br />
จะไดิ์้ co-<strong>with</strong> นักอ็อ็กแบบ เป็น<br />
โอ็กาสที ทังค์ู จะไดิ์้ co-<strong>with</strong> ทีม<br />
สถาปนิกผู้จัดิ์งาน ผู้จัดิ์งบประมาณ<br />
การจัดิ์งาน ค์ณาจารย์ทีจัดิ์เตร ียม<br />
และดิ์ูแลการทำาเวิร์กช็อ็ปขอ็งนักศึึกษา<br />
ต์ลอ็ดิ์จนตััวนักศึึกษาเอ็งดิ์้วย เพ้อ็ที<br />
ค์วามหมายและค์วามต์ังใจขอ็ง<br />
co-<strong>with</strong> จะมีพลัง มีค์วามทัวถ่ง อีีก<br />
ทังยังสร้างค์วามเปลี ยนแปลงใน<br />
ระดิ์ับทีซับซ้อ็นขอ็โค์รงสร้างไดิ์้<br />
มากกวานี<br />
การ co-<strong>with</strong> ในค์รั งนี วากันในสวน<br />
ขอ็งผู ้จัดิ์ เป็นการรวมม้อ็กันต์ั งแต่่<br />
ต้้นนำา ค์้อ็สมาค์มสถาปนิกสยามฯ ผาน<br />
กลุมประธานจัดิ์งาน ผานสถาปนิกและ<br />
นักอ็อ็กแบบพาวิลเลียน และนักศึึกษา<br />
ผู้แสดิ์งงาน โยงไปถ่งผู้รับเหมา ผู้ให้เชา<br />
รถเข็น และอ็าจจะไปถ่งสวนขอ็งผู ้ชม<br />
งาน Street Wonder จะเป็นโอ็กาสให้<br />
แต่่ละค์นไดิ์้นำาสิงอััศิจรรย์ใจต์าม<br />
รายทางมาเสนอ็ มาพูดิ์ค์ุย และแลก<br />
เปลียนในงานค์รังนีดิ์้วย<br />
ASA Student and Workshop pavilion<br />
Dr. Narongwit Areemit X Sarngsan Na Soontorn<br />
After being paired up to work on the design of ASA<br />
Student and Workshop pavilion together, Dr. Narongwit<br />
Areemit, a Khon Kaen-based architect and Chiang<br />
Mai-based creator, Sarngsan Na Soontorn, co-create<br />
the pavilion whose main functionality and purpose is<br />
to promote the ability and potential of architecture<br />
students in Thailand. With the main objective being to<br />
bring a better understanding to the environment and<br />
different factors surrounding the lives of today’s<br />
university students, the pavilion named ‘Street Wonder’<br />
is designed to be a space that showcases the true<br />
identity and potential of the country’s budding design<br />
talents.<br />
Working <strong>with</strong> the same brief as the students, the design<br />
team translates the maximization of public interest<br />
<strong>with</strong> the attempt to curate the exhibition <strong>with</strong> the least<br />
possible negative impacts on the environment. Leftover<br />
materials and wastes from the exhibition are minimized<br />
while the budget is used to create the most<br />
memorable viewing experience. The design process of<br />
the exhibition focuses on borrowing and adapting<br />
functionalities of different objects to best benefit to the<br />
new context they are in.<br />
The attempt to attract more visitors to the expo is an<br />
issue that needs to be looked at from different aspects,<br />
whether it be the location of the exhibition space and<br />
the content of the exhibition itself. The most important<br />
question that the design team asks themselves is<br />
whether the exhibition needs to be designed to attract<br />
people into its space. Like what many other exhibitors<br />
do to bring more people into their spaces, staffs are<br />
sent out to approach the people who may be<br />
interested in their products. With this method in mind,<br />
the pavilion is designed to express itself in a more<br />
active and dynamic approach.<br />
The concept of mobility is met <strong>with</strong> the current<br />
economic condition caused by COVID-19, as the design<br />
team searches for a smaller, people-driven unit that<br />
can carry out the idea into something tangible. Street<br />
vendors’ food carts in local markets spark Areemit’s<br />
and Na Soontorn’s interest in working <strong>with</strong> the street<br />
vendors <strong>with</strong> the design program that can benefit all<br />
parties. The name ‘Street Wonder’ takes inspiration<br />
from the term street vendors whose food carts and<br />
plastic tables are borrowed and used as the fundamental<br />
elements of the ASA Student and Workshop<br />
pavilion.<br />
The budget for the pavilion is used, not to pay for<br />
the construction, but the rent of food carts, tables<br />
and chairs from street vendors, indirectly<br />
supporting the small business owners who are<br />
actually affected by the pandemic. The support also<br />
extends to the purchase of the street vendors’<br />
products, which function as a tool that helps<br />
encourage interactions between the exhibitor and<br />
viewers.<br />
Issues currently revolving around ecology and<br />
economy, both the ones that have existed and intensified<br />
by the pandemic have become a collective<br />
national and global crisis. The design team takes<br />
this as an opportunity for an architect to co-create<br />
<strong>with</strong> a designer, and for them as the work’s creators<br />
to collaborate <strong>with</strong> the team of architects on the<br />
event organization team, the people responsible<br />
for the budget, the professors who supervise and<br />
help prepare the student workshop, and most<br />
importantly the students themselves. Such an<br />
intention embodies the meaning and determination<br />
to materialize the ‘co-<strong>with</strong>’ theme into something<br />
empowering, inclusive and impactful in the level<br />
that can actually resolve the complex scenario at a<br />
larger, structural scale.<br />
The act of ‘co-<strong>with</strong>’ on the organizer’s part refers<br />
to the collaboration from the very beginning of the<br />
process, from the Association of Siamese Architects<br />
under Royal Patronage, the presidents of the<br />
steering committee, the architect and designer who<br />
bring ideas to life and create the pavilion, the<br />
students whose works are exhibited, all the way to<br />
the contractors, the street vendors who rent out<br />
their carts, and people who visit of Street Wonder.<br />
This is a chance for each person to bring the things<br />
they’ve come across along their journeys, to share,<br />
talk and exchange their experiences <strong>with</strong> everyone.<br />
92<br />
I CO – WITH CREATORS<br />
CO – WITH CREATORS I 93