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Printed Program (pdf) - CHI 2012 - Association for Computing ...

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Monday | Late Afternoon | 16:30—17:50<br />

NOTE | How Do Couples Use CheekTouch over Phone<br />

Calls?<br />

Young-Woo Park, Seok-Hyung Bae, Tek-Jin Nam, Korea Advanced<br />

Institute of Science and Technology, Republic of Korea<br />

Describes how romantic couples use a novel audio-tactile<br />

communication technique called CheekTouch over phone calls.<br />

Shows a possibility of enriching emotions with touch over phone<br />

calls.<br />

NOTE | The Spread of Emotion via Facebook<br />

Adam D. I. Kramer, Facebook, Inc, USA<br />

Correlational study showing that emotions (defined as posts with<br />

emotional words) spread through Facebook. Also addresses two<br />

confounds in the Emotional Contagion literature.<br />

PAPER | It’s Complicated: How Romantic Partners Use<br />

Facebook<br />

Xuan Zhao, Cornell, USA<br />

Victoria Schwanda Sosik, Dan Cosley, Cornell University, USA<br />

A qualitative study exploring how romantic partners make<br />

Facebook-related decisions and how Facebook’s af<strong>for</strong>dances<br />

support them. Provides examples/ideas <strong>for</strong> thinking about designs<br />

and theorizing about ways people manage privacy and<br />

relationships.<br />

PAPER | Lost in Translation: Understanding the<br />

Possession of Digital Things in the Cloud<br />

William Odom, Carnegie Mellon University, USA<br />

Abi Sellen, Microsoft Research Cambridge, UK<br />

Richard Harper, Eno Thereska, Microsoft Research, UK<br />

Presents and interprets field evidence related to people’s<br />

perceptions of personal digital things kept in Cloud <strong>Computing</strong><br />

environments. Findings are interpreted to detail design and<br />

research opportunities.<br />

n ALT.<strong>CHI</strong> | 12AB<br />

ALT.<strong>CHI</strong>: PHYSICAL LOVE<br />

SESSION CHAIR: Jofish Kaye, Nokia Research Center, USA<br />

alt.chi | I Just Made Love: The System and the Subject of<br />

Experience<br />

Gopinaath Kannabiran, Jeffrey Bardzell, Shaowen Bardzell, Indiana<br />

University, USA<br />

In this work, we propose a new paradigm to understand<br />

experience design by focusing on the subject of interaction as<br />

opposed to the existing paradigm which is the user.<br />

42 | ACM Conference on Human Factors in <strong>Computing</strong> Systems<br />

alt.chi | “It’s in Love with You” - Communicating Status<br />

and Preference with Simple Product Movements<br />

Ditte Hvas Mortensen, Sam Hepworth, Bang & Olufsen, Denmark<br />

Kirstine Berg, Marianne Graves Petersen, Aarhus University,<br />

Denmark<br />

A study where users perceive a product with adaptive movements<br />

as expressing agency and it becomes part of their social context.<br />

Can assist design and understanding of automated product<br />

interaction.<br />

alt.chi | Black-boxing the User: Internet Protocol over<br />

Xylophone Players (IPoXP)<br />

R. Stuart Geiger, Yoon Jung Jeong, Emily Manders, University of<br />

Cali<strong>for</strong>nia, Berkeley, USA<br />

Internet Protocol over Xylophone Players inverts the traditional<br />

mode of human-computer interaction and problematizes the<br />

user/interface distinction, raising a number of conceptual issues.<br />

alt.chi | Design <strong>for</strong> X?: Distribution Choices and Ethical<br />

Design<br />

Elizabeth Goodman, University of Cali<strong>for</strong>nia, Berkeley, USA<br />

Janet Vertesi, Princeton University, USA<br />

Sex-oriented technologies at an adult trade show prompt the<br />

authors to reframe “values in design” as a question of the choice<br />

of distribution of agency among users and designers.<br />

alt.chi | The Machine in the Ghost: Augmenting<br />

Broadcasting with Biodata<br />

Paul Tennent, Stuart Reeves, Steve Ben<strong>for</strong>d, Brendan Walker,<br />

Joe Marshall, Patrick Brundell, Rupert Meese, University of<br />

Nottingham, UK<br />

Paul Harter, Cleverplugs Ltd, UK<br />

Explores the explicit use of biodata as part of a narrative <strong>for</strong><br />

television and film. Raises some key research challenges about<br />

“acting” biodata and the nature of accessible biodata<br />

visualisations.

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