Printed Program (pdf) - CHI 2012 - Association for Computing ...
Printed Program (pdf) - CHI 2012 - Association for Computing ...
Printed Program (pdf) - CHI 2012 - Association for Computing ...
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Monday | Late Afternoon | 16:30—17:50<br />
NOTE | How Do Couples Use CheekTouch over Phone<br />
Calls?<br />
Young-Woo Park, Seok-Hyung Bae, Tek-Jin Nam, Korea Advanced<br />
Institute of Science and Technology, Republic of Korea<br />
Describes how romantic couples use a novel audio-tactile<br />
communication technique called CheekTouch over phone calls.<br />
Shows a possibility of enriching emotions with touch over phone<br />
calls.<br />
NOTE | The Spread of Emotion via Facebook<br />
Adam D. I. Kramer, Facebook, Inc, USA<br />
Correlational study showing that emotions (defined as posts with<br />
emotional words) spread through Facebook. Also addresses two<br />
confounds in the Emotional Contagion literature.<br />
PAPER | It’s Complicated: How Romantic Partners Use<br />
Facebook<br />
Xuan Zhao, Cornell, USA<br />
Victoria Schwanda Sosik, Dan Cosley, Cornell University, USA<br />
A qualitative study exploring how romantic partners make<br />
Facebook-related decisions and how Facebook’s af<strong>for</strong>dances<br />
support them. Provides examples/ideas <strong>for</strong> thinking about designs<br />
and theorizing about ways people manage privacy and<br />
relationships.<br />
PAPER | Lost in Translation: Understanding the<br />
Possession of Digital Things in the Cloud<br />
William Odom, Carnegie Mellon University, USA<br />
Abi Sellen, Microsoft Research Cambridge, UK<br />
Richard Harper, Eno Thereska, Microsoft Research, UK<br />
Presents and interprets field evidence related to people’s<br />
perceptions of personal digital things kept in Cloud <strong>Computing</strong><br />
environments. Findings are interpreted to detail design and<br />
research opportunities.<br />
n ALT.<strong>CHI</strong> | 12AB<br />
ALT.<strong>CHI</strong>: PHYSICAL LOVE<br />
SESSION CHAIR: Jofish Kaye, Nokia Research Center, USA<br />
alt.chi | I Just Made Love: The System and the Subject of<br />
Experience<br />
Gopinaath Kannabiran, Jeffrey Bardzell, Shaowen Bardzell, Indiana<br />
University, USA<br />
In this work, we propose a new paradigm to understand<br />
experience design by focusing on the subject of interaction as<br />
opposed to the existing paradigm which is the user.<br />
42 | ACM Conference on Human Factors in <strong>Computing</strong> Systems<br />
alt.chi | “It’s in Love with You” - Communicating Status<br />
and Preference with Simple Product Movements<br />
Ditte Hvas Mortensen, Sam Hepworth, Bang & Olufsen, Denmark<br />
Kirstine Berg, Marianne Graves Petersen, Aarhus University,<br />
Denmark<br />
A study where users perceive a product with adaptive movements<br />
as expressing agency and it becomes part of their social context.<br />
Can assist design and understanding of automated product<br />
interaction.<br />
alt.chi | Black-boxing the User: Internet Protocol over<br />
Xylophone Players (IPoXP)<br />
R. Stuart Geiger, Yoon Jung Jeong, Emily Manders, University of<br />
Cali<strong>for</strong>nia, Berkeley, USA<br />
Internet Protocol over Xylophone Players inverts the traditional<br />
mode of human-computer interaction and problematizes the<br />
user/interface distinction, raising a number of conceptual issues.<br />
alt.chi | Design <strong>for</strong> X?: Distribution Choices and Ethical<br />
Design<br />
Elizabeth Goodman, University of Cali<strong>for</strong>nia, Berkeley, USA<br />
Janet Vertesi, Princeton University, USA<br />
Sex-oriented technologies at an adult trade show prompt the<br />
authors to reframe “values in design” as a question of the choice<br />
of distribution of agency among users and designers.<br />
alt.chi | The Machine in the Ghost: Augmenting<br />
Broadcasting with Biodata<br />
Paul Tennent, Stuart Reeves, Steve Ben<strong>for</strong>d, Brendan Walker,<br />
Joe Marshall, Patrick Brundell, Rupert Meese, University of<br />
Nottingham, UK<br />
Paul Harter, Cleverplugs Ltd, UK<br />
Explores the explicit use of biodata as part of a narrative <strong>for</strong><br />
television and film. Raises some key research challenges about<br />
“acting” biodata and the nature of accessible biodata<br />
visualisations.