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Volltext - ub-dok: der Dokumentenserver der UB Trier - Universität ...

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where ‘weird cartoons’ of Disney characters are painted on the walls, this dwarf is a caricature<br />

of Billy Kwan, ‘a genuine midget, with close-cropped hair like a black cat’s fur, and wide-set,<br />

clever dark eyes’ (YLD, 90). Koch’s Won<strong>der</strong>land descriptions continue with ‘fantastically<br />

abbreviated brown legs and st<strong>ub</strong>by bare feet’ which ‘peeped’ from un<strong>der</strong> the dwarf’s sarong,<br />

the arms which were ‘like flippers’, and the ‘tiny infant hands whose fingers were strangely<br />

splayed’. Cookie says, ‘Compared to him, Billy Kwan (at whom I dared not look), was a<br />

normal man’ (YLD, 90), but apparently only compared to this dwarf, with whom Billy has far<br />

more in common than he has with anyone else. Around the dwarf’s neck hangs a tin cup for<br />

money, and this reflects the beggar in Billy Kwan, who is desperate, as Cookie recognises<br />

later, for love and acceptance. Kwan is even capable, in spite of his serious intellectualism, to<br />

resemble the freakish dwarf who, at the instigation of Sloan and Curtis, ‘began instantly to<br />

dance on his little legs, breaking at the same time into a droning song’, causing Wally to belch<br />

forth ‘deep chuckles which had in them a protesting, appalled sound, as though he were being<br />

forcibly tickled’ (YLD, 91). Later, at the house-warming party for Wally and his new<br />

bungalow, Kwan will don the pitji cap made famous by Sukarno, and will dance and sing for<br />

the other drunken guests as he reaches the heights of his popularity and acceptance. He<br />

imagines it to resemble Sukarno, but mostly only recalls the café dwarf (YLD, 100).<br />

The other site which is fashioned directly after Alice’s rabbit hole is the hotel where<br />

Hamilton takes a holiday with his assistant Kumar. The weekend outing brings Hamilton for<br />

the first time out of the bustling mad world of Jakarta up into the highlands of Java, which is<br />

itself an almost unreal world of fantastic beauty and won<strong>der</strong>. In a prologue to the episode,<br />

Koch makes a point to write of Indonesia as a sort of mirror through which worlds change,<br />

citing its sacred name, ‘the Gate of the World’, the passage between the ‘real’ world and the<br />

‘Otherworld’.<br />

No kingdom on earth can equal this one, which is the Gate of the World. Its<br />

countless islands, from the Moluccas to northern Sumatra, balanced in an arc<br />

between Asia and Australia, shield it from the storms of the Indian Ocean and<br />

the South China Sea. Active volcanoes form its spine, and Vishnu, its<br />

guardian god (who sometimes takes the guise of a dwarf), protects it from all<br />

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