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Volltext - ub-dok: der Dokumentenserver der UB Trier - Universität ...

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D’Alpuget writes that this prejudice comes out of ‘the days of the Raj’, a time ‘so different that<br />

it seemed unreal now’ (TB, 3), though several of her characters would certainly share it. The<br />

cliché serves to introduce the novel’s central motifs of the predators, trespassers, and<br />

indiscriminate violence which are so commonplace that they are almost invisible.<br />

4.3. The Real Asia<br />

Asia itself is the principle object of the stereotyping. Mo<strong>der</strong>n Singapore—the very<br />

image of the well-or<strong>der</strong>ed industrial society—is treated, as a general rule, unmercifully. The<br />

airport is ‘huge, bright and very clean’, and is inhabited by ‘small, bright and very clean<br />

Singaporeans’ who ‘hand out passes and snap out directions.’ D’Alpuget repeats the words<br />

bright and clean as if to insist that, yes, these really are the right adjectives to use with ‘the<br />

new Asians, the economic miracle-workers’. ‘Huge’ meanwhile goes only with the facilities.<br />

The workers are just ‘small’, and are less the producers of the economic miracle than its<br />

product, churned out by engineers and archetects as ‘perfectly painted dolls’ for the airport. If<br />

becoming ‘new Asians’ is what Australians are interested in, d’Alpuget is implying, this is<br />

what they’ll get. Judith retreats in panic from such a salesgirl who, like a robot, gets short-<br />

circuited over do<strong>ub</strong>ts of the authenticity of luxury items. The cliché exposes its true self—the<br />

cleanliness turns into the ‘aggression’ of the ‘bright lights of the terminal, the sharp, assertive<br />

colours of the tarmac buses, the monosyllabic jabbering of the shopgirls’ (TB, 53).<br />

Christopher J. Koch in The Year of Living Dangerously focuses on the image of<br />

Singapore as the last protective buffer between the Australian bastion of Western civilisation<br />

and the Asian threat. Yet, if there is truth in stereotypes, then Singapore seems too flawed to<br />

be up to the task. Wally O’Sullivan refers to it as ‘Singers’ and longs to return, but only<br />

because that clean efficiency meant he could indulge his immoral passions (YLD, 61). Still,<br />

Guy Hamilton recognises its place in the civilising efforts of the British presence:<br />

‘Wait till they quit Singapore, Cookie. It’ll all fall down. The Yanks won’t<br />

save it. The British Empire was better—we’re not supposed to say it, but it<br />

was. There’ll be more tyranny without it, not less.’ (YLD, 64)<br />

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