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Volltext - ub-dok: der Dokumentenserver der UB Trier - Universität ...

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prompting her to prove her mettle and eat the fruit. This apparent victory for Alex is,<br />

nevertheless, really Sinclaire’s. She is recognised for her good Bahasa and familiarity with<br />

local custom, until she realises that she is being debased by the affair. Sinclaire, on the other<br />

hand, indulges himself in this ‘brutalisation’ he calls ‘going troppo’ (MD, 165-68).<br />

Alex, now exhausted, irritable and dirty, is further dehumanised by the market children<br />

who pinch at her arms and legs with their ‘gr<strong>ub</strong>by, thieving fingers’ until they rush off to<br />

harass a crippled horse. She rushes to defend the horse, but is then attacked by the children.<br />

Sinclaire drags her back to the car, and calls her ‘a mad white woman’, though it is for having<br />

done what is good instead of what is right. He accuses her of having rejected both foreign and<br />

Indonesian communities, telling her ‘These are vile times’, and, when he says she would ‘be<br />

better off back in the clan’, he means that only through identification with an ‘in-group’ and its<br />

perspectives and attitudes can she gain the sense of right and wrong, which she lacks, to offset<br />

the sense of good and evil, of which she arguably possesses too much. Then, while she is at<br />

her weakest, he shows just how Machiavellian the clan’s sense of right from wrong is by<br />

betraying her with the falsified procès verbal which is to destroy not only her loyalty to Maruli<br />

but to her own feelings.<br />

11.2.2. The Kiss of Betrayal<br />

The final kiss, representing a victory of Sinclaire’s sense of right over Alex’s sense of<br />

good, comes appropriately with Alex wearing the black dress Sinclaire bought for her, in the<br />

darkness and shadow of the Ramayana Bar. Read as a mo<strong>der</strong>nist, feminist, or post-colonialist<br />

novel, Alex must be a failed character. In the many battles of gods and demons of the great<br />

Ramayana epic, however, evil takes many victories when the cycles of the mandala put it on<br />

the ascendant. The epic’s end, the defeat of the demon, reflects the strategy of the Indian saint,<br />

which is to wait for a favourable shift in the time, shed the ‘hindrances’ which would weaken<br />

him against the demon, and conclude the battle when fate is on his side. The ultimate goal of a<br />

Hindu saint, however, is still to break out of the cycles of time, thereby attaining enlightenment<br />

for himself and for his evil brother as well.<br />

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