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Volltext - ub-dok: der Dokumentenserver der UB Trier - Universität ...

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establish a sense of identity between man and his universe which has been lost in the West,<br />

even when the need to do so is fully recognised, is just not appreciated. Contemporary<br />

Australians would apparently just as well forget these images as they bear the stain of<br />

Orientalism, which seems to lay a certain amount of guilt on white Australia, and therefore<br />

threatens Australia’s future economic relations with the Asia-Pacific region.<br />

While both Koch and d’Alpuget have enjoyed continued popular success for their<br />

novels, they have dropped off of the radar screens of Australian criticism. Scholarly interest<br />

developed through the 1980s, and reached a peak in 1992, but forces of political correctness<br />

seem to have made them anathema. And this has happened even though Australian intellectual<br />

circles are actively engaged in the very same search for self, soul and identity which Koch and<br />

d’Alpuget are devoted to. The fact is that it is time for the scholarly community to turn their<br />

attention back to the genre of the Australian novel set in Asia, devote more time to the<br />

necessary research into the Asian pretexts, and give such writers as d’Alpuget and Koch the<br />

credit due them for their efforts in uncovering the true Australian identity from the layers of<br />

masks which obscures it from view. If this work aids in rekindling the debate, then it will have<br />

been more than successful.<br />

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