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Volltext - ub-dok: der Dokumentenserver der UB Trier - Universität ...

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He was a hunch-backed Indonesian dwarf: a genuine midget, with closecropped<br />

hair like a black cat’s fur, and wide-set eyes. He had a tin cup around<br />

his neck for money, and was dressed in a brown shirt and a sarong, from<br />

beneath which peeped his fantastically abbreviated brown legs and st<strong>ub</strong>by bare<br />

feet. He couldn’t have been more than three feet high: his extended arms were<br />

like flippers - ending, I noticed, in tiny infant hands whose fingers were<br />

strangely splayed. Compared to him, Billy Kwan (at whom I dared not look),<br />

was a normal man. (YLD, 91)<br />

The juxtaposition of the desperation and nobility of beggars in these books comes out of<br />

both Eastern and Western traditions. Billy Kwan explains many of the Western sources and<br />

cites others in his files, including Gervase of Tilbury’s Otia Imperialia about the ‘high-<br />

minded’ dwarf-king of the Antipodes, Bilis, who became Beli, who Kwan calls the ‘prototype<br />

of nearly all mythological dwarfs, and of Pelles, in the Grail Legend’ (YLD, 108). Kwan sees<br />

Bilis/Beli as his model, and Koch clearly invokes this name in creating Billy. As the short<br />

form of ‘William’, being ‘will + helmet’ (Morris, 1466), the name also fits Billy well. William<br />

is the heroic figure out of English children’s literature whom Billy tells Hamilton he had<br />

wanted to be but could not because of his Chinese face (YLD, 84), and this is just one of many<br />

reasons that the adult Billy protects his self-image with a helmet of pure desire. The close<br />

association of Billy Kwan and Guy Hamilton has similar Western antecedents, specifically in<br />

the story found in Kwan’s files about the Pelles of Arthurian legend, who was split into a<br />

knight and his dwarf servant. Billy calls Hamilton his ‘giant brother’ (YLD, 116), and this is<br />

echoed by the journalists of the Wayang Bar who call them ‘Sir Guy’ and the ‘squire’. Eastern<br />

traditions include many stories of gods who come to earth disguised in the form of dwarfs,<br />

beggars, servants, or other lower-caste humans. These characters, especially those with<br />

physical disabilities, seem to have the special ability, directly related to their ‘otherness’, to<br />

interact in the world otherwise divided between those men who are kasar, or coarse, and alus,<br />

or refined, since they themselves share character aspects of each and benefit from seeing the<br />

world through dual perspectives. Kwan, with all of his inexplicable contacts in Indonesian<br />

politics and society, is certainly one of these, yet needs Hamilton to complete his self. Still, as<br />

in the relationship between Arjuna and Krishna, it is Hamilton the knight who must attend to<br />

the teachings of Kwan the servant, for Kwan’s favourite dwarf is, like Krishna, really a god.<br />

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