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Seeking to escape the Triple World for moksa is unfortunately for most created beings<br />

out of the question: the gods are too infused by the bliss of sattva; the demons are too intent on<br />

the establishment of adharma in the universe; the animals and plants are too dominated by<br />

rajas as well as by the same immobilising ignorance of tamas which defines minerals.<br />

Humans are unique from the other created beings in that they possess and are pervaded<br />

and influenced by all three gunas: sattva, rajas, and tamas. Knowing both light and dark,<br />

realising the unhappiness caused by tamas as well as the joy of sattva, and having the<br />

motivation of rajas to surpass their mediocre existence, humans are endowed with the unique<br />

potential to attain moksa, or nirvana (Bailey, 105). The fortunate combination of the gunas is<br />

indeed necessary for humans; loss of any one characteristic deprives an individual of the hope<br />

of escaping the birth-death-rebirth-redeath cycle of the Triple World.<br />

Zimmer equates the gunas and other ‘impairments’ of created beings with the Western<br />

concept of ‘personality.’<br />

They are the bundle of life-forces that constitute the individual and implicate<br />

him in the surrounding world. Our clinging to our ego, and our usual concrete<br />

conception of what our ego is; our spontaneous self-surren<strong>der</strong> to the likes and<br />

dislikes that guide us daily . . . and which are the most cherished ingredients of<br />

our nature—these are our impairments. And through all runs that primitive<br />

craving of the living creature, which is common to both men and worms . . .<br />

and such a will to live is strong enough, according to the Indian theory of<br />

rebirth, to carry an individual across the gulf of death into a new incarnation,<br />

compelling him to reach out again for a new body, another mask, another<br />

costume, in which to carry on. (Zimmer, 1969, 299)<br />

10.3.2. ‘Brutalised’ Characters<br />

D’Alpuget presents a decadent world, heavily influenced by the increasing power of<br />

demons and adharma, where the balance of the gunas in humans is upset and most men are<br />

driven by the darkness of tamas instead of the light of sattva. The Australian vice-consul is<br />

only important enough to be identified by a first name, but his immoral behaviour—<br />

particularly the sexual exploitation of his young female servant who he calls a ‘stupid cow’<br />

(MD, 71)—merits a graphic introduction as the ‘man with the face of a sly pig’ who ‘nosed up’<br />

to Alex (MD, 22). Juan, the Spanish chargé d’affairs, is infamous for the illegal possession of<br />

an orang-utan and for halitosis which he and his pet undo<strong>ub</strong>tedly share (MD, 22). Naida, a<br />

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