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Claudine Phan tells Langford point blank that continuing to risk his life going out with<br />

the ARVN ‘means that you live in a dream’, and are ‘always likely to disappear’. ‘It’s sad,<br />

being a warrior’ she tells him, sounding rather like Krishna lecturing Arjuna before battle,<br />

because ‘you’ll always be alone’. Langford has already learned Krishna’s lesson not to be<br />

interested in the tangible results of his profession, but when she tells him ‘you’re the sort of<br />

warrior other men love, because you’re what they wish to be’, she is not flattering him. He is<br />

indeed a hero, but his war is too dangerous for most men since his enemies are demons. She<br />

continues, ‘You’d make a good father. But if you have children, they’ll end up orphans, won’t<br />

they?’(HW, 187). Langford has slipped, along with all of Cambodia, through the looking-glass<br />

into the ‘Otherworld’ called the Region of Dis, one of the final battlefields of the demons’<br />

macrocosmic war which began with the Kali-Yuga and the bloodbath depicted in the<br />

Mahabharata .<br />

12.9. The Land of Dis<br />

In Highways to a War, the invoking of this Black Age is a leitmotif which takes the form<br />

of a personification of universal upheaval called ‘Dis’, the strangest and most invasive of<br />

‘Otherworlds’ imaginable. Koch writes of the ‘calm voice’ of the disappeared and presumed<br />

dead Mike Langford emerging from ‘the darkness’ of ‘that tropical kingdom of Dis he was lost<br />

in, beyond the Thai bor<strong>der</strong>’, recounting its tale of an Asia of times long past (HW, 66). Dis is<br />

home to the Grim Reaper figure, cutting down the youth of Langford and his cameraman<br />

companions during their glory years covering the war in Vietnam. Langford is now dead, but<br />

the others cling to the profession, trying vainly to be again what they once were:<br />

It's time for them to hang up their irons.<br />

But how can they do that? The greatest high of all will be gone then: the<br />

one presided over by Dis, comman<strong>der</strong> of the dead, whose other name is<br />

Meaning. (HW, 98)<br />

In introducing Dis into his Asian novels, Koch is incorporating an important Western<br />

mythological symbol into his ontology. Dis is, first, the name of the all-powerful god of Celtic<br />

mythology whose description by Jobes seems written especially for Koch. He carries a<br />

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