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Volltext - ub-dok: der Dokumentenserver der UB Trier - Universität ...

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themselves are the ‘dreaded’ others in the Asia-Pacific. If white Australians are to overcome<br />

their stereotypes and see Asians for what they really are, and also see the Aborigines for what<br />

they are, they must first of all see themselves properly (Milne, 286).<br />

Milne’s view is itself a looking-glass image of the one made by Alison Broinowski, that<br />

‘the way Australians see Asia determines the way we see ourselves’. As Milne puts it: ‘The<br />

way Australians see themselves (in their own country) determines the way we see Asia’<br />

(Milne, 287). Koch and d’Alpuget are working at the problem from both sides of the mirror by<br />

removing the physical separation between the two and then hammering away at the<br />

monumental stereotypes Australians have inherited about themselves and Asians. Given that<br />

the Australian/Asian relationship so much resembles a house of mirrors, it does not seem<br />

unreasonable that the two points of view share planes of intersection and that it is upon these<br />

surfaces that Australians (and Asians) will come to know themselves more fully.<br />

1.4. The Problem of Describing the Western/Eastern Liaison<br />

D. M. Roskies writes of some of the main impediments to such a literary study as this<br />

about Australia’s relationship with Southeast Asia. The first is that ‘in popular consciousness<br />

“Indonesia,” like “Japan” or “India,” can seldom be seen except through the tinted or distorting<br />

filter of ultramondane assumptions about “The East,” assumptions which are so ingrained in<br />

one’s awareness of the human world as to be impossible fully to refine’. The second has to do<br />

with ‘the grammar of “orientalism,” consisting of unintentionally supercilious associations<br />

yoked to suppositions endorsed by the culture as a whole and supervening to reinforce attitudes<br />

of judgement from on high’ (Roskies, 35).<br />

Most writings about the Asia-Pacific, Roskies argues, have remained within the realm of<br />

the ‘empirical-romance’ which is built upon such preconceptions, but Koch’s Year of Living<br />

Dangerously, which ‘adventurously puts to rout some of the obstacles which are apt to<br />

supervene between a creative intelligence and materials which customarily remain opaque to<br />

western un<strong>der</strong>standing’, shows that there can be exceptions (Roskies, 36). Rather than<br />

exploiting Southeast Asia ‘for its exotic contents or treated as a location wherein various<br />

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