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Volltext - ub-dok: der Dokumentenserver der UB Trier - Universität ...

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to him. Alison Broinowski would agree that Christopher Koch stands firmly behind the<br />

judgement of Cookie, his likely mouthpiece. She affirms that Koch concurs with such of his<br />

intellectual forebears as Rudyard Kipling who have seen such decadence as proof of the<br />

decline of Western society (Broinowski, 1992, 178). The irony is that Asia, where Australia is<br />

hoping to clarify questions about its identity, has always born the Orientalist stereotype as<br />

where even—perhaps especially—the most degenerate of Westerners can finally be<br />

themselves.<br />

5.7. Koch’s Two Enigmatic Alices<br />

Koch s<strong>ub</strong>stantiates this theme of moral degeneracy in physical form by fashioning his<br />

Alice type as two characters who have separate backgrounds, personalities and destinies, but<br />

jointly make up a composite protagonist. Billy Kwan and Guy Hamilton are each terribly<br />

incomplete and incapable of taking lead roles in the events of the plot, but together they<br />

become a unified heroic figure. This identity puzzle is itself a dual image out of Lewis<br />

Carroll’s Alice books and the wayang kulit’s representation of the three Pandava brothers,<br />

Arjuna, Judistira and Bima, who epitomise an Eastern version of the separate elements of a<br />

whole personality. This section limits itself to Kwan and Hamilton’s labyrinthine Alice<br />

connection; the complex Eastern associations of this do<strong>ub</strong>le character are investigated in<br />

chapter 11.<br />

5.7.1. Billy Kwan<br />

The search for lost identity is a special problem for Billy Kwan, who has as much<br />

tro<strong>ub</strong>le keeping track of who he is as does Alice. Kwan, indeed, is a shape changer. The<br />

narrator seems to be describing one of the chessmen in Through the Looking-Glass, when he<br />

says: ‘His black, crew-cut head appeared large in relation to his body, and his legs were<br />

comically brief; but his chest and shoul<strong>der</strong>s were powerful, and his hands square and capable-<br />

looking.’ He sounds like Humpty Dumpty on the wall when he ‘perched himself with some<br />

precariousness on a high bamboo stool and crossed one stumpy leg over the other’. Then he<br />

becomes the Cheshire Cat, with his head separating from his body and dissolving into a<br />

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