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consi<strong>der</strong>ations and hesitations to ignore the consequences and act. The Gita does reiterate the<br />

inescapable force of karma when Krishna tells Arjuna that nature will compel him to fight the<br />

battle he longs to avoid:<br />

Because thou art in the bondage of Karma, of the forces of thine own past life;<br />

and that which thou, in thy delusion, with a good will dost not want to do,<br />

unwillingly thou shalt have to do. (Bhagavad Gita 18.60)<br />

Yet, alongside this statement of predestination, Krishna reaffirms Arjuna’s freedom of will:<br />

I have given thee words of vision and wisdom more secret than hidden<br />

mysteries. Pon<strong>der</strong> them in the silence of thy soul, and then in freedom do thy<br />

will. (BG, 18.63)<br />

The interaction of fate and free will is an important theme throughout the Mahabharata.<br />

Zaehner notes that, while it ‘stresses time and again the primacy of fate over human effort, it<br />

none the less compares the two to the rain which prepares the ground and the seed that man<br />

puts into it (5.78.2-5): the two are interdependent and work in harmony together’. Karma is a<br />

universal phenomenon of which human karma is but a part, and ‘the cosmic dharma’ and ‘fate’<br />

are other terms for God’s will. It is therefore precisely ‘man’s co-operation with fate’ which<br />

‘justifies him and earns him a place in heaven or that causes him to enter into God’ (Zaehner,<br />

107).<br />

8.4.1. Billy Kwan’s Sacred Battle for the Soul<br />

It is clear that Billy is searching for such a way to exercise his will in co-operation with<br />

dharma, but has been unable to bring himself beyond an intellectual commitment in which he<br />

is, like Arjuna, overwhelmed by the contradictions. He is therefore looking for a surrogate, a<br />

man of action rather than of thought, and thinks he has found one in Guy Hamilton. When he<br />

organises Hamilton’s interview with the Indonesian Communist Party chief, Billy says the<br />

interview needs a ‘good instrument to transmit it’, adding, ‘I’ve chosen a good instrument’<br />

(YLD, 36). Cookie agrees that Hamilton’s natural inclination to act without being inhibited by<br />

consi<strong>der</strong>ations of the ‘natures, intensities, and needs’ of those around him made him ‘the<br />

perfect vessel for Billy Kwan’s purposes’ (YLD, 38). Hamilton finally comes to sense those<br />

purposes after the PKI interview which makes him an instant celebrity, mixing a feeling of<br />

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