KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial

Recommendations

Info

MIRCEA REŞTEA DRAGOŞ TOADER Police protests (for Cotidianul) (2008) digital photography courtesy of the artist Children’s protest for stoping the Gaza war (2009) digital photography courtesy of the artist 141
142 ANDREI PUNGOVSCHI IOANA MOLDOVAN Oath, Police Academy Alexandru Ioan Cuza (2006) - digital photography courtesy of the artist Winter traditional celebrations, carnival, Sighetu Marmaţiei (2008) digital photography; courtesy of the artist
Page 3:
October 8th - November 7th, 2010 Ș
Page 6 and 7:
FOREWORD ROMELO PERVOLOVICI - DIREC
Page 8 and 9:
în mare parte dimensiunii scopice
Page 10 and 11:
vigilant blindness, through this ki
Page 12 and 13:
simultan ambele roluri - el devine
Page 14 and 15:
of his own subjection.” 4 The gaz
Page 16 and 17:
scenarizare a realului şi felul î
Page 18 and 19:
senzorială globală a subiectului.
Page 20 and 21:
eification of watching. watching th
Page 22 and 23:
Deleuze was saying that, considerin
Page 24 and 25:
încercat să le explice vizitatori
Page 26 and 27:
THE SUBVERSIVE PANOPTICON OF THE CO
Page 28 and 29:
“LaBour discipLine”. damaging t
Page 30 and 31:
internet. Fenomenul este corelat cu
Page 32 and 33:
ness of the Orwellian principle of
Page 34 and 35:
“Altogether” (2008) DVD, mini D
Page 36 and 37:
“Miliţia e cu noi!” (1981) C-t
Page 38 and 39:
Decupaj de temporalitate suspendat
Page 40 and 41:
& M AT H I A S j U D “War Room”
Page 42 and 43:
În 2002, Peter Weibel organiza la
Page 44 and 45:
“Broken Threads” (2007) video,
Page 46 and 47:
I S T O B E D O N E ? ) legătura d
Page 48 and 49:
cu sfârşitul unei tranziţii impo
Page 50 and 51:
At the same time, the very existenc
Page 52 and 53:
social recipe to be applied at the
Page 54 and 55:
the chance to bring this knowledge
Page 56 and 57:
“CCTeVezi” (2008) C-type print,
Page 58 and 59:
25 April 2008 I have arrived in Lon
Page 60 and 61:
altui instrument de observaţie la
Page 62 and 63:
“Untitled”, 2005 (the former St
Page 64 and 65:
V L A D N A N C ă Orice manual ban
Page 66 and 67:
“The Pencil Sharpener”, from th
Page 68 and 69:
My work deals with the common misus
Page 70 and 71:
NEÏL BELOUfA & DORIAN GAUDIN Pe 2
Page 72 and 73:
& S Z I L A R D B A N G A 71
Page 74 and 75:
Prezentată pentru prima oară la g
Page 76 and 77:
“Le charme discret de l’autorit
Page 78 and 79:
“Boutique Airports I & II” (200
Page 80 and 81:
Alexandra Croitoru’s works presen
Page 82 and 83:
“Remake” (2007) animation, 24
Page 84 and 85:
„Populist project / Hometown Boys
Page 86 and 87:
P A S C U A L S I S T O “Gaze”
Page 88 and 89:
S T E f A N O G I U R I A T I Lucra
Page 90 and 91:
“Animal Inside” (2009) 4 photo
Page 92 and 93: Ideea că pictura ca gen artistic e
Page 95 and 96: T H E O L I G T H A R T “The Sear
Page 97 and 98: M A X I M L I U L C A Demersul meu
Page 99 and 100: “Serial Guard” (2008) 6 pieces,
Page 101 and 102: N 5 5 “Walking 100 house” house
Page 103 and 104: MIRCEA NICOLAE “Surveillance pane
Page 105 and 106: THE BLUE NOSES GROUP În seria „A
Page 107 and 108: G O R D A N S A V I C I C Aş dori
Page 109 and 110: GHEORGHE RASOVSZKy
Page 111 and 112: LENA VON LAPSCHINA De peste doi ani
Page 113 and 114: S I M O N A Tă N ă S E S C U „B
Page 115 and 116: S U R E K H A Line of Control Este
Page 117 and 118: U B E R M O R G E N . C O M 116 “
Page 119 and 120: S H A D I H A B I B A L L A H “Sc
Page 121 and 122: C A R L A C R U z Carla Cruz a cres
Page 123 and 124: D E S I R E M A C H I N E Colaborar
Page 125 and 126: C H E L S E A K N I G H T Palimpses
Page 127 and 128: GAYLAN ABDULLAH ISMAIL ”Traffic
Page 129 and 130: j I N S H A N Aşa cum observa Walt
Page 131 and 132: M I R K O S M E R D E L “Outside
Page 133 and 134: O L I V E R R E S S L E R ”What i
Page 135 and 136: M A R I E V O I G N I E R În peisa
Page 137 and 138: FILM pROf. UNIV. DR. LAURENŢIU DAM
Page 139 and 140: TUDOR LUCACIU TUDOR PETREMARIN 138
Page 141: FOTOjURNALISM
Page 145 and 146: ALDO GIANNOTTI Born in Genova, Ital
Page 147 and 148: Slovenia; Tourists Welcome, Ljublja
Page 149: VLAD NANCă Born in Bucharest, Roma
show all

KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?