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KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial

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“CCTeVezi” (2008)<br />

C-type print, 40 x 50 cm<br />

courtesy of the artist<br />

The project “CCTeVezi” was created in 2008 in Timişoara,<br />

when closed-circuit television surveillance cameras began to<br />

be increasingly present in the Romanian public space, thus<br />

creating a feeling of either security or paranoia depending on<br />

one’s personal experiences and the way one relates to the<br />

idea of security/authority.<br />

The project is an ongoing work-in-progress that can be deployed<br />

in any public space.<br />

The camera or, better said, the eye behind it, simultaneously<br />

assumes its need for voyeurism and for controlling the<br />

surrounding reality. For how should we define public surveillance,<br />

if not as a mixture of voyeurism and control?<br />

Unlike its sister – the surveillance camera – the photo or the<br />

video camera undermines its own role, primarily through the<br />

location it chooses to monitor and which makes it, just as<br />

easily, a virtual target of another surveillance system or of<br />

another voyeur.<br />

The concept of surveillance system is in its turn undermined<br />

by the futility of the gesture. The final goal of the voyeur<br />

behind the camera is to unveil himself, like in the images on<br />

candid camera when one points to the one who is filming. (…)<br />

Maria Luiza Alecsandru<br />

55

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