KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial
KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial
KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial
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“CCTeVezi” (2008)<br />
C-type print, 40 x 50 cm<br />
courtesy of the artist<br />
The project “CCTeVezi” was created in 2008 in Timişoara,<br />
when closed-circuit television surveillance cameras began to<br />
be increasingly present in the Romanian public space, thus<br />
creating a feeling of either security or paranoia depending on<br />
one’s personal experiences and the way one relates to the<br />
idea of security/authority.<br />
The project is an ongoing work-in-progress that can be deployed<br />
in any public space.<br />
The camera or, better said, the eye behind it, simultaneously<br />
assumes its need for voyeurism and for controlling the<br />
surrounding reality. For how should we define public surveillance,<br />
if not as a mixture of voyeurism and control?<br />
Unlike its sister – the surveillance camera – the photo or the<br />
video camera undermines its own role, primarily through the<br />
location it chooses to monitor and which makes it, just as<br />
easily, a virtual target of another surveillance system or of<br />
another voyeur.<br />
The concept of surveillance system is in its turn undermined<br />
by the futility of the gesture. The final goal of the voyeur<br />
behind the camera is to unveil himself, like in the images on<br />
candid camera when one points to the one who is filming. (…)<br />
Maria Luiza Alecsandru<br />
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