KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial

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„Populist project / Hometown Boys” 1999/2000 courtesy of the artist 83
HARM VAN DEN DORPEL În „Ethereal Others”, Harm van den Dorpel alcătuieşte o arhivă de portrete anonime, surprinse prin intermediul unui alt site interfaţă, Ethereal Self. O dată conectat la acesta din urmă şi prins în fascinaţia pentru imaginea cristalină şi înşelatoare a unei prisme de diamant, internautul fie ignoră din automatism de „utilizator” pericolul de a fi văzut de alţi oameni, fie consimte în ciuda avertismentelor să-şi dezvăluie chipul prin intermediul webcam-ului personal. Îşi lasă jos garda de securitate vizuală; devine obiect de privit şi încetează să mai deţină controlul asupra limitelor propriei expuneri. Capturate şi stocate în marea bază de chipuri, aflată undeva pe graniţa dintre permis şi intruziune clandestină, lucrarea lui van den Dorpel încearcă să tematizeze prin hacktivism subtil modul în care ne oferim privirilor altora. Mica Gherghescu “Ethereal Others” (2010) video installation courtesy of the artist With “Ethereal Others”, Harm van den Dorpel puts together an archive made entirely of anonymous portraits, taken through the Ethereal Self interface website. Once connected to the latter and fascinated by the crystalline, alluring diamond prism, the user either automatically ignores the danger of being seen by other people or, despite warnings, agrees to unveil his face in front of his/her personal webcam. He lets his visual security guard down. He becomes object to be seen, thus giving up the full control over the limits of his own exposure. Captured and stocked in the comprehensive portrait-base, somewhere in-between permission and clandestine intrusion, van den Dorpel’s work tries to bring forth by subtle hacktivism the way we show ourselves to the Other. Mica Gherghescu 84
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October 8th - November 7th, 2010 Ș
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FOREWORD ROMELO PERVOLOVICI - DIREC
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în mare parte dimensiunii scopice
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vigilant blindness, through this ki
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simultan ambele roluri - el devine
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of his own subjection.” 4 The gaz
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scenarizare a realului şi felul î
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senzorială globală a subiectului.
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eification of watching. watching th
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Deleuze was saying that, considerin
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încercat să le explice vizitatori
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THE SUBVERSIVE PANOPTICON OF THE CO
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“LaBour discipLine”. damaging t
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internet. Fenomenul este corelat cu
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ness of the Orwellian principle of
Page 34 and 35: “Altogether” (2008) DVD, mini D
Page 36 and 37: “Miliţia e cu noi!” (1981) C-t
Page 38 and 39: Decupaj de temporalitate suspendat
Page 40 and 41: & M AT H I A S j U D “War Room”
Page 42 and 43: În 2002, Peter Weibel organiza la
Page 44 and 45: “Broken Threads” (2007) video,
Page 46 and 47: I S T O B E D O N E ? ) legătura d
Page 48 and 49: cu sfârşitul unei tranziţii impo
Page 50 and 51: At the same time, the very existenc
Page 52 and 53: social recipe to be applied at the
Page 54 and 55: the chance to bring this knowledge
Page 56 and 57: “CCTeVezi” (2008) C-type print,
Page 58 and 59: 25 April 2008 I have arrived in Lon
Page 60 and 61: altui instrument de observaţie la
Page 62 and 63: “Untitled”, 2005 (the former St
Page 64 and 65: V L A D N A N C ă Orice manual ban
Page 66 and 67: “The Pencil Sharpener”, from th
Page 68 and 69: My work deals with the common misus
Page 70 and 71: NEÏL BELOUfA & DORIAN GAUDIN Pe 2
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Page 74 and 75: Prezentată pentru prima oară la g
Page 76 and 77: “Le charme discret de l’autorit
Page 78 and 79: “Boutique Airports I & II” (200
Page 80 and 81: Alexandra Croitoru’s works presen
Page 82 and 83: “Remake” (2007) animation, 24
Page 86 and 87: P A S C U A L S I S T O “Gaze”
Page 88 and 89: S T E f A N O G I U R I A T I Lucra
Page 90 and 91: “Animal Inside” (2009) 4 photo
Page 92 and 93: Ideea că pictura ca gen artistic e
Page 95 and 96: T H E O L I G T H A R T “The Sear
Page 97 and 98: M A X I M L I U L C A Demersul meu
Page 99 and 100: “Serial Guard” (2008) 6 pieces,
Page 101 and 102: N 5 5 “Walking 100 house” house
Page 103 and 104: MIRCEA NICOLAE “Surveillance pane
Page 105 and 106: THE BLUE NOSES GROUP În seria „A
Page 107 and 108: G O R D A N S A V I C I C Aş dori
Page 109 and 110: GHEORGHE RASOVSZKy
Page 111 and 112: LENA VON LAPSCHINA De peste doi ani
Page 113 and 114: S I M O N A Tă N ă S E S C U „B
Page 115 and 116: S U R E K H A Line of Control Este
Page 117 and 118: U B E R M O R G E N . C O M 116 “
Page 119 and 120: S H A D I H A B I B A L L A H “Sc
Page 121 and 122: C A R L A C R U z Carla Cruz a cres
Page 123 and 124: D E S I R E M A C H I N E Colaborar
Page 125 and 126: C H E L S E A K N I G H T Palimpses
Page 127 and 128: GAYLAN ABDULLAH ISMAIL ”Traffic
Page 129 and 130: j I N S H A N Aşa cum observa Walt
Page 131 and 132: M I R K O S M E R D E L “Outside
Page 133 and 134: O L I V E R R E S S L E R ”What i
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M A R I E V O I G N I E R În peisa
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FILM pROf. UNIV. DR. LAURENŢIU DAM
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TUDOR LUCACIU TUDOR PETREMARIN 138
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FOTOjURNALISM
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142 ANDREI PUNGOVSCHI IOANA MOLDOVA
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ALDO GIANNOTTI Born in Genova, Ital
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Slovenia; Tourists Welcome, Ljublja
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VLAD NANCă Born in Bucharest, Roma
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KANTUTA QUIROS & ALIOCHA IMHOff - Overlapping Biennial

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