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pensamiento critico y practica poetica en donald davie - Universidad ...

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En este s<strong>en</strong>tido, Michael Schmidt (1976: 36) nota afinidades <strong>en</strong>tre Hardy y<br />

Davie y escribe: “Davies peculiar relationship with his own and our common past,<br />

and his explorations of it, are oft<strong>en</strong> like Hardy’s. While a poet such as T<strong>en</strong>nyson<br />

idealises the past, Hardy again and again —in poems and novels— shows it as<br />

unrealised. A wrong turn, and oversight, blight life perman<strong>en</strong>tly”. En Davie, como<br />

<strong>en</strong> Hardy, “loss” es uno de sus temas. Sin embargo, para Schmidt (1976: 38)<br />

“Hardys pessimism is ess<strong>en</strong>tially psychological. Davies seems to me social”.<br />

Psicológicam<strong>en</strong>te, el modo de pres<strong>en</strong>tación de la experi<strong>en</strong>cia se comparte<br />

con Hardy. Sobre The Sh¡res (1974), Michael Schmidt (1976: 35>, escribe:<br />

The little dramas el his own past he anacts not fo re-pres<strong>en</strong>t and grandify fha<br />

Yeung Davie but te presant the experi<strong>en</strong>ce which is Iba point ob relevance, tha<br />

only point of communication. He shares this appreach with Hardy, showing<br />

himsalb unwilling to balsiby particulars. That is why his 1’ is net distracting and<br />

we tollow it and watch, net what it is but what it says arid does, thosa empirical<br />

ev<strong>en</strong>ts which may contain me<strong>en</strong>ing bor us.<br />

Para Leonaid A. Oakland . Los motivos de dicha distorsión son fundam<strong>en</strong>talm<strong>en</strong>te políticos:<br />

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