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IV.3.2.2. Antilirismo<br />

El antilirismo es una posición poética derivada de la exaltación de la<br />

estética clásica. Para nuestro autor la dilucidación de la liricidad o aliricidad de<br />

un poema es una cuestión capital por t<strong>en</strong>er implicaciones teológicas.<br />

So far brom the cruelty of Nature making against the chnistEan God, it Es <strong>en</strong>ly<br />

beliel En Ged fíat makes fhe cruelfy el Nafure acceptable and understandable,<br />

since He bel<strong>en</strong>gs in, and se preves the realify of a supernafural realm whEch<br />

may be called Grace. At any rafe issues as far-reaching as fhis are involved<br />

. Dicho de otro<br />

modo, las reflexiones de “the lyrical “1,”... are te be tak<strong>en</strong> as true only te a<br />

specific occasion, a special place at a special time” (CMIL, 61). Esta relatividad<br />

hace que la lírica, de suyo, no sea edificante (CMIL, 59) y que lo sea aún<br />

m<strong>en</strong>os la canción, pues “the pristine and definitive form of lyric is the song; and<br />

the singer of a song is not <strong>en</strong> oath. The s<strong>en</strong>tim<strong>en</strong>t and opinion expressed En a<br />

song by Robert Burns are to be understood as true only for as long as the<br />

singing lasts” (CMIL, 42).<br />

110 cfr. La afirmación de William James citada <strong>en</strong> el capitule 1.<br />

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