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pensamiento critico y practica poetica en donald davie - Universidad ...

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111.3.5.1. Tradicionalidad de Pound como Poeta<br />

Davie retorna la consideración de Pound como poeta tradicional<br />

expuesta <strong>en</strong> EP:PS y <strong>en</strong> EP. En esta línea, pondera la escritura peundiana<br />

como respuesta a la concepción artificial del poema, pues la poesía de Pound<br />

es “verbal fabnic, rather tian a message in code» (SEP, 361>. Asimismo, la<br />

poesía peundiana es épica <strong>en</strong> Pie Cantos (SEP, 304>, y hasta <strong>en</strong> ciertas<br />

ocasiones como el Pisan Canto 83, ti<strong>en</strong>e un trasfondo cristiano (SEP, 352)~<br />

Filosóficam<strong>en</strong>te, Davie concede que “we cant any longer suppose, naÍveiy, that<br />

a fact gets into a poem as soon as it is named there. For a fact, and the name of<br />

that fact, are differ<strong>en</strong>t; and it is only the name, not the thing named, that Es at horne<br />

in the verbal universe that is a poem” (SEP, 338>. Sin embargo, el fundam<strong>en</strong>to de<br />

la poética poundiana es el racionalismo naturalista. El arte (téchne) se inscribe<br />

<strong>en</strong> natura (physis>: “For human building (art> and the processes of germination<br />

(nature) are not in this vision opposed, as alternatives we must choose betwe<strong>en</strong>.<br />

The <strong>en</strong>e mirrors the other, and is neurished by the other. To build is as natural as<br />

te procreate”

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