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pensamiento critico y practica poetica en donald davie - Universidad ...

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Fue, sin embargo, el movimi<strong>en</strong>to al que Wordsworth pert<strong>en</strong>ecía el que<br />

inició la perversión sintáctica: “Symbolism... only pushes to a logical conclusion<br />

the implications of Romantic poetry theory. It was the Romantics who first<br />

suggested, by implication, that syntax could have only a phantasmal life in<br />

poetry” (AE, 61). Este f<strong>en</strong>óm<strong>en</strong>o es perfectam<strong>en</strong>te explicable si t<strong>en</strong>emos <strong>en</strong><br />

cu<strong>en</strong>ta el característico individualismo romántico. Así, hablando de Mrs.<br />

Langer, Davie escribe: “for her-, tao, wh<strong>en</strong> a poet seems to speak about the<br />

thought he has had, he is really speaking about himself in the process of<br />

having them. And so, wh<strong>en</strong> the poet uses the syntacticai form of the

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