Catálogo de la exposición - Fundación César Manrique
Catálogo de la exposición - Fundación César Manrique
Catálogo de la exposición - Fundación César Manrique
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lotches of paint, b<strong>la</strong>ck stains or ghost-like figures that began to emerge time and again in<br />
the author’s pictures.<br />
These were his <strong>la</strong>tter years. The control and constraint of the earlier Spanish paintings were<br />
gone. He, the architect and buil<strong>de</strong>r of wood and thread, became a dark apparition that<br />
haunted his canvases. Memories, annotations and a figure constantly poised to bid farewell,<br />
took command of the works in this final stage of his life. This new figuration had little to do<br />
with the figuration of his Montevi<strong>de</strong>o paintings. Now it was a shadowed figure, a silhouette,<br />
with no specific features. The painter knew he was ill, aching of <strong>de</strong>ath and, in his<br />
<strong>de</strong>termination to tell us what had been silenced, he <strong>de</strong>picted all this accumu<strong>la</strong>ted emotion<br />
in his paintings. It had always been difficult for him to <strong>de</strong>ci<strong>de</strong> when a picture was finished,<br />
but now his works appeared to be endless; he seemed to be locked into the “continuing<br />
dynamic” so characteristic of abstract expressionism.<br />
Less than twenty years after his arrival in Madrid he set about returning to his home<strong>la</strong>nd to<br />
die. In this narrow span of time, Barca<strong>la</strong> created a wi<strong>de</strong>-ranging oeuvre. He absorbed things,<br />
and very naturally, from a country that was not his own but that would characterise his art:<br />
drama, austerity and sharp contrast. With these elements and what he had learned and<br />
grasped before, he created art of a very individual nature and not easily c<strong>la</strong>ssified.<br />
In silence<br />
“Ten<strong>de</strong>rly, lightly, with restraint and rigour, cleanly, sweetly and slowly, in elegant flight,<br />
Barca<strong>la</strong> created work of extraordinary quality, while hardly anyone noticed” (Lucio Muñoz).<br />
The temptation in mo<strong>de</strong>rn art is to broach creation from a novel vantage, to surprise and<br />
astound and thereby attain what Warhol called one’s 15 minutes of fame, heading the<br />
dubious list of art in vogue or art of the day. But there are artists who work from their own<br />
art, who resist the temptation to always do something new; these are artists who focus on<br />
creating timeless works, based on tradition and immersed in mo<strong>de</strong>rn technique, works that<br />
follow the course that their <strong>de</strong>licate human condition charts: the ongoing pursuit of the<br />
eternal, the mystery of existence. They create and build without shouting, in silence,<br />
because there is no lou<strong>de</strong>r cry than one that endures.<br />
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