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Catálogo de la exposición - Fundación César Manrique

Catálogo de la exposición - Fundación César Manrique

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lotches of paint, b<strong>la</strong>ck stains or ghost-like figures that began to emerge time and again in<br />

the author’s pictures.<br />

These were his <strong>la</strong>tter years. The control and constraint of the earlier Spanish paintings were<br />

gone. He, the architect and buil<strong>de</strong>r of wood and thread, became a dark apparition that<br />

haunted his canvases. Memories, annotations and a figure constantly poised to bid farewell,<br />

took command of the works in this final stage of his life. This new figuration had little to do<br />

with the figuration of his Montevi<strong>de</strong>o paintings. Now it was a shadowed figure, a silhouette,<br />

with no specific features. The painter knew he was ill, aching of <strong>de</strong>ath and, in his<br />

<strong>de</strong>termination to tell us what had been silenced, he <strong>de</strong>picted all this accumu<strong>la</strong>ted emotion<br />

in his paintings. It had always been difficult for him to <strong>de</strong>ci<strong>de</strong> when a picture was finished,<br />

but now his works appeared to be endless; he seemed to be locked into the “continuing<br />

dynamic” so characteristic of abstract expressionism.<br />

Less than twenty years after his arrival in Madrid he set about returning to his home<strong>la</strong>nd to<br />

die. In this narrow span of time, Barca<strong>la</strong> created a wi<strong>de</strong>-ranging oeuvre. He absorbed things,<br />

and very naturally, from a country that was not his own but that would characterise his art:<br />

drama, austerity and sharp contrast. With these elements and what he had learned and<br />

grasped before, he created art of a very individual nature and not easily c<strong>la</strong>ssified.<br />

In silence<br />

“Ten<strong>de</strong>rly, lightly, with restraint and rigour, cleanly, sweetly and slowly, in elegant flight,<br />

Barca<strong>la</strong> created work of extraordinary quality, while hardly anyone noticed” (Lucio Muñoz).<br />

The temptation in mo<strong>de</strong>rn art is to broach creation from a novel vantage, to surprise and<br />

astound and thereby attain what Warhol called one’s 15 minutes of fame, heading the<br />

dubious list of art in vogue or art of the day. But there are artists who work from their own<br />

art, who resist the temptation to always do something new; these are artists who focus on<br />

creating timeless works, based on tradition and immersed in mo<strong>de</strong>rn technique, works that<br />

follow the course that their <strong>de</strong>licate human condition charts: the ongoing pursuit of the<br />

eternal, the mystery of existence. They create and build without shouting, in silence,<br />

because there is no lou<strong>de</strong>r cry than one that endures.<br />

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