xaTuna kikvaZis tradicia da novatoroba qarTul scenografiaSi
xaTuna kikvaZis tradicia da novatoroba qarTul scenografiaSi
xaTuna kikvaZis tradicia da novatoroba qarTul scenografiaSi
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om TeatrSi mxatvris <strong>da</strong>niSnuleba iyo amoexsna piesa <strong>da</strong> speqtaklis<br />
mTavari azri, reJisoris mier <strong>da</strong>saxuli zeamocana <strong>da</strong> saxviTi<br />
xelovnebis saSualebiT zemoqmedeba moexdina mayurebelze. magram<br />
mxatvars “marto feri, moculoba, sivrce ki ar un<strong>da</strong> ainteresebdes,<br />
aramed TviT moqmedeba- speqtaklis dinamika”. (29) Semdegi speqtaklebi:<br />
“lamara” <strong>da</strong> “TeTnuldi” i.gamrekelisa <strong>da</strong> al.axmetelis<br />
TanaSemoqmedebisa <strong>da</strong> SoTa rusTavelis saxelobis Teatris esTetikisa<br />
<strong>da</strong> mxatvruli stilis srulyofilebaze metyvelebs.<br />
1930 wels al.axmetelma gr.robaqiZis piesa “lamara” <strong>da</strong>dga. amas<br />
TeatrSi araerTgvarovani Sefaseba moyva. Tavis droze swored<br />
“lamara” aRmoCn<strong>da</strong> ganxeTqilebis saboloo mizezi k.marjaniSvilsa <strong>da</strong><br />
al.axmetels Soris, ris gamoc k.marjaniSvilma <strong>da</strong>tova rusTavelis<br />
Teatri. 1925 wlis “lamara”, romelsac k.marjaniSvili dgam<strong>da</strong>,<br />
reJisorulad sruliad gansxvavebulad un<strong>da</strong> ganxorcielebuliyo.<br />
speqtaklis mxatvari l.gudiaSvili iyo. mxatvars hqon<strong>da</strong> Seqmnili<br />
mravali eskizi, romelSic mkafiod ikveTebo<strong>da</strong> Teatraluri<br />
konstruqtivizmis saerTo principebi, Tumca l.gudiaSvilis mxatvruli<br />
maneri<strong>da</strong>n gamomdinare dekoracia ar iyo moklebuli detalebs, rac<br />
formaTa mravalferovan dekoraciulobaSi vlindebo<strong>da</strong>. sruliad<br />
gansxvavebuli iyo speqtaklis reJisoruli wakiTxvac, romelSic<br />
k.marjaniSvilma ZiriTadi aqcentebi piesaSi mis lirikul JReradobaze<br />
gaakeTa. “rogorc Cans, kote marjaniSvils piesis lirikuli motivebi<br />
aRelveb<strong>da</strong> <strong>da</strong> <strong>da</strong>dgmis xasiaTsac swored maT umorCileb<strong>da</strong>. siuJeturad<br />
tradiciuli sasiyvarulo intonaciebi piesisa, misTvis ganmsazRvreli<br />
faqtori aRmoCn<strong>da</strong>...(30)<br />
axmetelma ki piesaSi sxva Temebi aamoZrava. upirveles yovlisa, es<br />
iyo erovnuli poziciebi<strong>da</strong>n amomavali urTierTobani, romelTa<br />
sayrdens siyvarulsa <strong>da</strong> keTilSobilebaSi xe<strong>da</strong>v<strong>da</strong>...” (31) “Tu<br />
k.marjaniSvili ufro lirikul xazs hkveT<strong>da</strong> <strong>da</strong> trfobiT gaxelebuli<br />
vaJebis urTierTobaTa siRrmi<strong>da</strong>n amomaval siyvaruls ukavSireb<strong>da</strong><br />
speqtaklis saerTo tonalobas <strong>da</strong> saxes; al.axmetelisTvis<br />
sasiyvarulo gancdebi sababi Seiqna samyaros rTul movlenaTa arsSi<br />
garkvevis, pirovnul a<strong>da</strong>mianur TvisebaTa Secnobis, sazogadoebriv<br />
urTierTobaTa axsnis procesisaTvis”. (32)<br />
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