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Mag Aprile 2012 PDF - Mag Magazine

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on english<br />

amici dei musei<br />

di Bernardo Tortorici da Raffadali<br />

Manifestazione mussolini<br />

Una storia per immagini<br />

Risale ormai a dieci anni fa la sco- questa inedita raccolta di immagini dal nu-<br />

Una comunità<br />

perta fortunosa di una vastissi- mero impressionante è possibile riscoprire<br />

allo specchio<br />

<br />

- e ricostruire un mondo ormai scomparso,<br />

attraverso<br />

te, risalenti al secolo scorso, che una comunità che può solo rivivere ancora<br />

gli scatti<br />

riprendono in ogni suo aspetto la comunità nei ricordi di qualcuno avanti con gli anni.<br />

di monsignor<br />

di un piccolo paese siciliano della provincia L’autore delle immagini è un personaggio<br />

di Messina, Tortorici.<br />

d’eccezione; si tratta infatti di un monsi-<br />

<br />

- gnore con una grande passione per l’arte<br />

sima rilevanza sia da un punto di vista arti- <br />

stico che storico-antropologico. Attraverso alla morte.<br />

A story through<br />

pictures<br />

A community mirrored<br />

in the pictures of<br />

<br />

Franchina<br />

Written by Bernardo Tortorici from<br />

Raffadali<br />

It is ten years now since they have life. Monsignor Calogero Franchina and stories of his homeland. His ac-<br />

been discovering by chance a rich was born in Tortorici in 1876 and tivity as a photographer spans the<br />

collection of inedited pictures, dating end of the nineteenth century up to<br />

back to the last century, catching who moved, for theological reason, the half of the twentieth century. His<br />

every aspect of a community from to late eighteenth century Paris, the work is of great importance because<br />

a small country in the provinces of “ville lumière” rich in stimulus and he was able to grasp a thousand-<br />

Messina, Tortorici.<br />

artists, the same Paris that has pro- <br />

<br />

duced photography only in the last society doomed, after the Second<br />

importance both from an artistic decades.<br />

World War, to completely disappear<br />

and anthropological point of view. The great interest and passion for under the impact of industrial and<br />

Through these countless inedited photography convinced the young consumer society.<br />

photographs it is possible to redisco- clergyman to buy two cameras that Each photograph is a historical dover<br />

and reconstruct an extinct world, he will be bringing with him once at cument useful for the reconstruction<br />

a community alive only in the memo- home again.<br />

and study of an identity not so far<br />

ries of someone advanced in years. Thanks to these view cameras, he in time, being able to convey energy,<br />

The author of the pictures is a sin- began catching the world standing pride and a sense of belonging to<br />

<br />

in front of his curious and inquiring those who represent, today, the heirs<br />

fond of photography throughout his eyes, immortalizing places, people of that extinct world, is to say we all.

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