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on english<br />
amici dei musei<br />
di Bernardo Tortorici da Raffadali<br />
Manifestazione mussolini<br />
Una storia per immagini<br />
Risale ormai a dieci anni fa la sco- questa inedita raccolta di immagini dal nu-<br />
Una comunità<br />
perta fortunosa di una vastissi- mero impressionante è possibile riscoprire<br />
allo specchio<br />
<br />
- e ricostruire un mondo ormai scomparso,<br />
attraverso<br />
te, risalenti al secolo scorso, che una comunità che può solo rivivere ancora<br />
gli scatti<br />
riprendono in ogni suo aspetto la comunità nei ricordi di qualcuno avanti con gli anni.<br />
di monsignor<br />
di un piccolo paese siciliano della provincia L’autore delle immagini è un personaggio<br />
di Messina, Tortorici.<br />
d’eccezione; si tratta infatti di un monsi-<br />
<br />
- gnore con una grande passione per l’arte<br />
sima rilevanza sia da un punto di vista arti- <br />
stico che storico-antropologico. Attraverso alla morte.<br />
A story through<br />
pictures<br />
A community mirrored<br />
in the pictures of<br />
<br />
Franchina<br />
Written by Bernardo Tortorici from<br />
Raffadali<br />
It is ten years now since they have life. Monsignor Calogero Franchina and stories of his homeland. His ac-<br />
been discovering by chance a rich was born in Tortorici in 1876 and tivity as a photographer spans the<br />
collection of inedited pictures, dating end of the nineteenth century up to<br />
back to the last century, catching who moved, for theological reason, the half of the twentieth century. His<br />
every aspect of a community from to late eighteenth century Paris, the work is of great importance because<br />
a small country in the provinces of “ville lumière” rich in stimulus and he was able to grasp a thousand-<br />
Messina, Tortorici.<br />
artists, the same Paris that has pro- <br />
<br />
duced photography only in the last society doomed, after the Second<br />
importance both from an artistic decades.<br />
World War, to completely disappear<br />
and anthropological point of view. The great interest and passion for under the impact of industrial and<br />
Through these countless inedited photography convinced the young consumer society.<br />
photographs it is possible to redisco- clergyman to buy two cameras that Each photograph is a historical dover<br />
and reconstruct an extinct world, he will be bringing with him once at cument useful for the reconstruction<br />
a community alive only in the memo- home again.<br />
and study of an identity not so far<br />
ries of someone advanced in years. Thanks to these view cameras, he in time, being able to convey energy,<br />
The author of the pictures is a sin- began catching the world standing pride and a sense of belonging to<br />
<br />
in front of his curious and inquiring those who represent, today, the heirs<br />
fond of photography throughout his eyes, immortalizing places, people of that extinct world, is to say we all.