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Bildiri Kitabı - Kitap3

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Bu çalışmada çintemani motifinin tarihçesi, kültürler üzerinde bırakmış olduğu<br />

etkiler ve günümüzdeki bazı sanatçılar tarafından çağdaş yorumlamaları<br />

incelenecektir.<br />

Anahtar kelimeler: Çini, Çintemani<br />

ABSTRACT<br />

Ceramic Art, which has entrenched background in Anatolia, has been<br />

performed with different methods, and it consistently proceed from the Neolithic<br />

ages (B.C 6800) to present days. Human being has needed to ornament him, its<br />

environment and goods as from its creation. Thereby, various decor methods are<br />

used to improve the aesthetics of the ceramic goods, which reflects their daily life<br />

with different motifs. Decor and ceramic begins to be an inseparable whole in course<br />

of time.<br />

Cintamani, which has been performed by different religious and beliefs in<br />

several geographies since Uyghur Turks’ period till these days, is used by artists and<br />

designer because of its representative meaning of fertility, power and protection.<br />

This, article will cover the history of cintamani pattern, the effects of cintamani<br />

on cultures, and contemporary examples by several artists.<br />

Keywords: Tile, Cintamani<br />


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BİLDİRİLER PROCEEDINGS<br />


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