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Sprogets krop, kroppens sprog - Institut for Æstetik og Kommunikation

Sprogets krop, kroppens sprog - Institut for Æstetik og Kommunikation

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Krop <strong>og</strong> Spr<strong>og</strong> – en introduktion til Werner Schwab.....................4<br />

Kroppens <strong>spr<strong>og</strong></strong> – karnevalets muntre nedbrydning.....................6<br />

Den groteske <strong>krop</strong>........................................................................6<br />

Verden på vrangen – stykkernes karnevalistiske træk..........9<br />

Utopi <strong>og</strong> oprør – Schwabs ”perverse teaterredningsidé”....11<br />

Afføringens univers...................................................................14<br />

Faderen styrtes...........................................................................19<br />

Forskelsløst kredsløb.................................................................21<br />

Den voldelige seksualitet..........................................................22<br />

Mødre <strong>og</strong> sønner – analt fællesskab........................................24<br />

De lave ord presser på...............................................................28<br />

Analsvanger................................................................................29<br />

Forgyldte fækalier......................................................................31<br />

Oprør indefra..............................................................................33<br />

Subjekt/objektopløsning ..........................................................34<br />

Pølse<strong>for</strong>skydning.......................................................................38<br />

Retorik eller tematik? – Læsning på flere planer..................45<br />

Spr<strong>og</strong>....................................................................................................48<br />

At <strong>for</strong>tælle sig selv.....................................................................48<br />

Lad <strong>for</strong>synet arbejde..................................................................51<br />

Spr<strong>og</strong>et tager styringen.............................................................53<br />

Doxa – det smukke par.....................................................................56<br />

Advarsel mod <strong>spr<strong>og</strong></strong>et uden <strong>krop</strong>...........................................56<br />

Livgivende nedbrydning – oprør mod doxa.........................59<br />

Ironi <strong>og</strong> indlevelse – klichéens plads i stykkerne..................62<br />

Klichéens (meta)genopstandelse.............................................64<br />

Doxa avler doxa .........................................................................65<br />

Den polysemantiske pølse........................................................67<br />

Som fader på datter – <strong>for</strong>tællingernes palimpsest................69<br />

Intertekstualitet..................................................................................71<br />

Schwabs arv ................................................................................71<br />

Episk eller grusomt teater – Artaud, Brecht <strong>og</strong> Schwab ......72<br />

Latterens vilkår – Beckett <strong>og</strong> Schwab .....................................77<br />

<strong>Spr<strong>og</strong>ets</strong> <strong>krop</strong>......................................................................................81<br />

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