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Ornithology, Evolution, and Philosophy 123

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Personality <strong>and</strong> General Views 293<br />

“Because I hate beating around the bush, I have sometimes been called dogmatic.<br />

I think this is the wrong epithet for my attitude. A dogmatic person insists on being<br />

right, regardless of opposing evidence. This has never been my attitude <strong>and</strong>, indeed,<br />

I pride myself on having changed my mind on frequent occasions. However, it is<br />

true that my tactic is to make sweeping categorical statements. […] My own feeling<br />

is that it leads more quickly to the ultimate solution of scientific problems than<br />

a cautious sitting on the fence” (1982d: 9). He once told Frank Sulloway about his<br />

risk-taking in science. He said that he liked to go out on a limb sometimes because<br />

this motivated other scientists to try to prove him wrong by cutting off the limb on<br />

which he was st<strong>and</strong>ing. If it turned out he was mistaken, he said, then something<br />

was learned that would not otherwise have been learned had he taken a more<br />

cautious stance. Such a bold willingness to be the target of criticism takes a strong<br />

ego to put into action, Sulloway commented.<br />

In Dresden the family attended regularly when some special music by Bach or<br />

Händel was performed in one of the churches. Later in Tenafly, New Jersey Ernst<br />

<strong>and</strong>Gretelsubscribedtosomeconcertseries<strong>and</strong>greatlyenjoyedhearingthemajor<br />

artists of the 1930s <strong>and</strong> 1940s. They also subscribed to the Boston symphony when<br />

they had concert series at Harvard’s S<strong>and</strong>ers Theater. While they enjoyed classical<br />

music, modern music <strong>and</strong> poetry did not play any major role in their lives. In<br />

1951 Mayr was deeply moved by a performance of Gluck’s Orpheo <strong>and</strong> Euridice in<br />

the Scala of Milan under the direction of Wilhelm Furtwängler; the staging, the<br />

singing, everything was quite overwhelming. When he needed some relaxation,<br />

Mayr walked across Central Park from the American Museum to visit the Whitney<br />

Museum on a number of occasions.<br />

Although ambitious <strong>and</strong> driven in his profession, Mayr easily switched over to<br />

his family when at home. He was available to his two girls <strong>and</strong> more easy going<br />

with them than sometimes their mother. When needed, he helped the children with<br />

their homework <strong>and</strong> to care for them when one was ill. Of course, he spent long<br />

hours in his “office” upstairs, a “sacred” place <strong>and</strong> essentially “off-limits” to the<br />

children while the family lived in Tenafly. They both remember heated discussions<br />

on technical subject matter when Dobzhansky <strong>and</strong> his family came over from<br />

Manhattan for dinner.<br />

Ernst Mayr was raised in a family in which charity was ranked as one of the<br />

foremost virtues. His mother’s life philosophy was “Geben ist seliger als nehmen”<br />

(to give is more blessed than to receive) <strong>and</strong> Gretel Mayr, a minister’s daughter,<br />

was equally committed to charitable giving. According to American tax laws one<br />

gets credit in the income tax calculation for charitable donations up to one half of<br />

one’s income. Gretel <strong>and</strong> Ernst Mayr always tried to use as much of this allowance<br />

as possible. During the 1990s, he annually gave about $25,000–40,000 for social<br />

purposes (charity, conservation, science) <strong>and</strong> he never used for himself the money<br />

associated with the prizes he won. With the $100,000 of the Balzan Prize (1983)<br />

he established the annual Ernst Mayr grants 1 , with the $100,000 of the Japan<br />

1 The principal aim of the Ernst Mayr travel grants (administered by the MCZ) is to<br />

stimulate taxonomic research on neglected, difficult or poorly known taxa, in particular<br />

the study of types in different museums.

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