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IX A practising Tantrika from<br />

northern India with the Saiva's<br />

symbol on his forehead.<br />

X Chakras or psychic centres in<br />

the etheric body of the yogi. The<br />

energy centres are points of contact<br />

between the psychic and the<br />

physical body. Of the thirty chakras<br />

mentioned in the texts, the<br />

principal seven from bottom<br />

upwards are: Mulddhara,<br />

Svadishthana, Manipura,<br />

Andhata, Visuddha, Ajna and<br />

finally Sahasrara, conceived to be<br />

above the head.<br />

XI A Tantrika aspirant in the<br />

foothills of the Himalayas.<br />

XII Hanuman Yantra. Diagram<br />

of Hanuman, the great devotee of<br />

Lord Rama in all his magnificence<br />

and power, with inscriptions and<br />

symbols. Rajasthan, c. 18th<br />

century. Ink and colour on paper.<br />

Nyasa.<br />

136<br />

of the universe' (Ratnasara). When the adept accepts his<br />

subjectivity as a thinking, feeling, willing individual, he does not<br />

limit himself to mental concepts but lives in an existential<br />

awareness of his concrete physical entity which is animated in<br />

concert with the psychic forces moving it.<br />

In tantras, the body is considered an assemblage of five kosas, or<br />

'sheaths', in order of decreasing density. They are, first, the<br />

tangible physical body (Annamaya); the second is life breath, the<br />

sheath of vital air (Pranamaya); the third and the fourth sheaths,<br />

still more subtle, are the cognitive processes (Manomaya and<br />

Vijnanamaya); finally, the sheath of bliss (Anandamaya), the<br />

subtlest of all, is identified with the eternal element of joy in man.<br />

Thus, the psychic and physical are interdependent since each makes<br />

the other more possible.<br />

It is possible to be alienated from the body - to be unaware of its<br />

potencies, to reject and negate it completely - but its fullest<br />

appreciation will call for an awareness of it as a fact of nature. Since<br />

the body is the link between the terrestrial and cosmic, it is as it<br />

were a 'theatre', in which the psycho-cosmic drama is enacted. A<br />

positive and receptive attitude towards the body is a precondition<br />

to sadhana. The adept must identify with his body and transform<br />

it, for his body is the concrete expression of his psyche<br />

characterized by its own rhythm and structure. As a material<br />

extension of psychic expression the body glows, radiates and<br />

animates in the joy of being itself. It is not surprising, therefore,<br />

that the tantrikas evolved a system of psycho-physical culture,<br />

comprising various kinds of physical posture and gestural body<br />

techniques, a body language to render the body obedient to the<br />

will in order to animate ritual.<br />

Nyasa<br />

In the ritual known as nyasa, parts of the body are sensitized by<br />

placing the fingertips and palms of the right hand on various<br />

sensory awareness zones. A common practice is to accompany each<br />

placing of the fingers on the body with a mantra, so that with the<br />

mantra's powerful resonance the adept may gradually project the<br />

power of divinity into his own body. The tantrikas believe that the<br />

flesh must be 'awakened' from its dormancy, and this rite<br />

symbolically 'puts' the power of the vast pantheon of divinities<br />

into the various organs of the body. The most popular form of<br />

nyasa, known as sadanga-nyasa, is performed by touching various<br />

parts of the body in the following manner:

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