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After such a survey of various techniques, we must return to the<br />
most fundamental of all questions: What is the evolutionary<br />
mechanism in the human body which generates the illimitable<br />
power to transform? What is the basis of the concept of the subtle<br />
energies operating in the human organism? The tantrikas describe<br />
it as the mysterious Kundalini Sakti. In verse 3 of the Satchakra-<br />
Nirupana, the Kundalini is described thus: 'She is beautiful like a<br />
chain of lightning and fine like a [lotus] fibre, and shines in the<br />
minds of the sages. She is extremely subtle, the awakener of pure<br />
knowledge, the embodiment of all bliss, whose true nature is pure<br />
consciousness.' At first glance it is not at all clear what the<br />
Kundalini is. The verse describes the Kundalini as an extremely<br />
subtle force which has the potency to transform. Can we then say<br />
that Kundalini is the force that impels, a power that transforms, a<br />
feeling that unites? - No, it is something more.<br />
The Kundalini is the microcosmic form of universal energy or,<br />
more simply, the vast storehouse of static, potential psychic energy<br />
which exists in latent form in every being. It is the most powerful<br />
manifestation of creative force in the human body. The concept of<br />
Kundalini is not peculiar to tantras but forms the basis of all yogic<br />
practices, and every genuine spiritual experience is considered to<br />
be an ascent of this power. The Kundalini is described as lying<br />
'coiled', 'inactive' or in 'trance sleep' at the base of the spine,<br />
technically called the Muladhara Chakra or root centre, blocking<br />
the opening of the passage that leads to the cosmic consciousness in<br />
Kundalini as the emblem of<br />
microcosmic energy. Rajasthan,<br />
19th century. Gouache on paper.<br />
Yogi with chakras, Sahasrara (the<br />
'Lotus of a Thousand Petals') is<br />
the place of union between<br />
Kundalini and Pure Consciousness.<br />
Rajasthan, c. 18th century.<br />
Gouache on paper.<br />
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