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Ritual

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tantric art and their own. Like their predecessors, these artists were<br />

led by the same interior impulse to transform a dream into a vision.<br />

Can the vision contained in tantra's diverse ideologies help the<br />

artist to re-create himself? Any quick and easy answer will lead to<br />

self-deception. Living tantra is a matter of certain cultural<br />

disciplines, and the creation of its aesthetic forms cannot be<br />

divorced from their original intention. Just as history repeats itself<br />

through and in many events - wars, peace, socio-political<br />

upheavals - from deep within it new patterns evolve, new<br />

situations arise. In essence, however, they retain a thread of unity<br />

whose 'genus' is never lost. In this way, a cross-fertilization of<br />

tantric ideas with the contemporary art world may generate a new<br />

vision, whose outer structure and rhythms may vary though the<br />

underlying insight will be the same. Tantra art has opened the<br />

doors of our perception and given to the world, like all great<br />

epochs, a vision-inducing-aesthetic-creativity. Some of the art<br />

forms which have come down as an anonymous legend will<br />

remain unparalleled in the history of Indian art and in the larger<br />

context of the art of various cultures.<br />

Goloka, the world-egg with its nine<br />

fields. Rajasthan, c. 18th century.<br />

Gouache on paper.<br />

91

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