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Brahmanda, cosmic spheroid, a<br />
symbol of all-pervasive reality.<br />
Banaras, contemporary traditional<br />
form. Stone.<br />
Lingam with the serpent power,<br />
Kundalini, ascending to its apex.<br />
Banaras, contemporary. Stone.<br />
36<br />
womb of Prakriti, symbol of the female principle or the kinetic<br />
aspect giving rise to all vibration and movement. In a state beyond<br />
manifestation or a state of repose or balance, the yoni is represented<br />
by the circle, the central point being the root of the linga. In<br />
differentiated creation, however, or a state of activity it becomes<br />
distinct, and the circle is transformed into a triangle - the yoni, the<br />
source of manifestation. Thus the point, Bindu, in the circle is an<br />
acceptance of all: it neither posits nor negates but incorporates all<br />
into its endless form. These are essential figurations in the<br />
symbolism of tantra, whether expressed in abstract form or<br />
anthropomorphically, as when the Linga-yoni is revealed in the<br />
form of Ardhanarisvara, possessing male and female attributes,<br />
conjoined together, signifying psychic totality.<br />
Through successive stages of the transformation of matter and<br />
its reduction to its absolute essence, the tantric artist's first concern<br />
is to bring out the hidden universality of basic forms. He does not<br />
attempt to absorb something external but releases what he has<br />
experienced inwardly. Concerned with the realities of life, tantra<br />
art is firmly rooted in spiritual values. This form of com-