Ritual

munication becomes a way of life and creates concepts and forms
whereby deepest intuitions are crystallized and conveyed to others,
thus giving universality to the personal expression of art.
In tantric imagery, the power-patterns and configurations are
built up from primal abstract forms to complexity. This form of
imagery is intuitively apprehended and is based on irreversible
cosmic principles. There are no variables, but a continuum of
spatial experiences whose 'essence' precedes its existence: the
whole meaning is already present before the form is executed.
These art forms retain their intrinsic character and serve to create
visual reactions both psychological and spiritual.
Tantra art, like most other forms of Indian art, is anonymous,
coming down to us from very ancient times. Some of the art
objects are dated and their provenance is known; others, like
Brahmandas, Salagramas, Siva-lingas, are expressions of ageless
types which have survived due to their extensive use in worship
and ritual. However, the traditional task of codifying the
philosophical and scientific norms of tantra is fast disappearing and
can be found only in isolated areas.
Ardhanarisvara. The natural
markings on the egg-shaped
sculptural form illustrate the divine
biunity of male and female
principles in a single unit. Banaras,
contemporary expression of
traditional form. Stone.
Ardhanarisvara. This
hermaphroditic image of Siva and
Parvati as half male and half
female illustrates the dual principles
in harmonious unity. Brij Nagar
Museum, Rajasthan, c. 12th
century. Stone.
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