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Ritual

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Sakti worship<br />

It is not physiological sight but psychologically seeing her as a<br />

mental screen onto which is projected a series of personifications,<br />

that changes the adept's ordinary perception of a woman into a<br />

special kind of perception - Sakti. The transference of divinity is<br />

not something which is detached from the real but is within the<br />

reach of experience. The man and the woman both are parts of a<br />

drama to which they conform in perfect lucidity. Their interplay is<br />

a complementary movement of thought and feeling; there is no<br />

place for abstraction here, but only constant reference to a tangible<br />

human condition. Hence the experience of the transubstantiation<br />

of a woman into a goddess is viewed as a very special revelation of<br />

reality which can be seen, felt, and apprehended in no other way<br />

than what it is.<br />

The man and woman encounter themselves in one another; in<br />

doing so more completely does one relate to one's inner self. This<br />

continuous activity of 'seeing' into one another through the<br />

various ritual acts climaxing in sexo-yogic asana plunges the group<br />

into an anonymity in which personal ego-sense is dissolved for the<br />

acceptance of the common goal. By the process of ritual<br />

projection, the adepts are imbued with divinity until both the male<br />

and female, who represent the dialectical principles, achieve an<br />

existential awareness of unity similar to the symbol of the circle:<br />

'So 'ham: I am He' or 'Sa 'ham: I am she', for 'There is no<br />

difference between Me and Thee.'<br />

Sublimation techniques are based on regulating seminal<br />

ejaculation, which is achieved by combined thought and breath<br />

control, along with certain asanas such as Padmasana, Siddhasana,<br />

Savasana, Yoniasana, Janujugmasana, Chakrasana, Puhapakaasana,<br />

Ratiasana, Bhagasana, and certain mudras, prominent<br />

among which are Vajroli, Sahajoli, Yoni, Khechari and Mahamudra.<br />

Sexual energy is also controlled through Hatha-yoga. The<br />

proper practice of these mudras, bandhas or asanas, pranayama,<br />

etc., ensures retention of sexual energy in both partners. If, by<br />

chance, orgasm occurs, the fluids can be withdrawn into the body<br />

by Vajrolimudra. Through bandhas and asanas, expansion and<br />

contraction of the pelvic region are also possible, the most effective<br />

being the Uddiyana-bandha, Mula-bandha and Mahavedha. True<br />

maithuna is the consummation of a difficult apprenticeship.<br />

The next stage of the ritual consists of its higher level, Sakti<br />

worship. The adept visualizes the essence of his Sakti as an abstract<br />

Devi. Kulu Valley, Himachal<br />

Pradesh, c. 18th century. Bronze.<br />

175

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