Ritual

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om Im madanaye namah om Im utpadinyai namah om em mohinyai namah om aim dipinyai namah om om sodhanyai namah om aum vasankaraye namah om am rajanyai namah om ah priyadarsanaye namah 179
180 Then, from the top of her head to her left toe, the sadhaka touches his Sakti's body, accompanying his gestures with this mantra: Yoni worship Om am pusaye namah om am basaye namah om im samanaye namah om im rataye namah om um pritaye namah om um dhritaye namah om rm sudhaye namah om rm somaye namah om Im marichaye namah om Im amsumalinai namah om aim angiraye namah om aim vasinyai namah om aum chayaye namah om aum sampurnamandalaye namah om am tustaye namah om ah amrtaye namah The sadhaka then proceeds to worship his Sakti's yoni with the following mantra, offering water, flower and karana (wine): Om aim candraya namah (water) om aim sauryaya namah (flower) om aim agnaye namah (wine) He then places as an offering red sandal paste and flowers on her yoni with this mantra: Hum strim hum namah om bhagamalinyai namah om aim hrim srim aim yam blum klinne sarvani bhagani vasamanaya me om strim hrim klim blum bhagamalinyai namah aim hrim srim sasaktika namah This mantra is recited in the name of Bhagamalini, the third goddess of the three very closely associated deities of Devi Tripurasundari. They are the first three predominant goddesses of the fifteen nitya-kala. In the trikona-yantra (triangular yantra) of Sahasrara, Devi Tripurasundari is surrounded by the goddess Kamesvari, Vajresvari and Bhagamalini. Since the name Bhagamalini is erotically suggestive because of the pun on the word
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$9.95 Printed in England The life-a
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Frontispiece: Manuscript leaf illus
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ACKNOWLEDGMENTS Archaeological Surv
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Introduction Tantra is a creative m
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number of tantric texts were assemb
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Saktas (worshippers of Sakti, or fe
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The basic tenets of tantra can be e
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the union of opposites, the male an
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notions concerning time and space,
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Cosmic energy symbolized as the ser
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Tantric asana, or sexo-yogic postur
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The washer-maid represents the prim
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the five ingredients beginning with
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32 but at the same time maintains p
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Om, the cosmic sound, is a combinat
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Brahmanda, cosmic spheroid, a symbo
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Hari-Hara. Painting illustrating Vi
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ART The art which has evolved out o
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spective, tantric imagery is not an
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Symbolism and Imagery Tantric forms
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visible and eventually apprehended.
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figurative representation. The Sukr
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uilt up in stages during the entire
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The Universe and the terrestrial sp
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Point, and signifies the starting-p
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The Sri Yantra is a configuration o
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The Sri Yantra is called 'Nava Chak
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The seventh chakra, consisting of e
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64 The mandala indicates a focaliza
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The Kundalini Sakti, symbol of coil
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The creative spiral, Kundalini. 68
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A cosmographical schema showing Jam
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Cosmogram: an astronomical computat
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Cosmographical scheme showing Jambu
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so they signify the action of karma
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The terrifying aspects of these ima
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Modern research into the compositio
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'Krim', the bijamantra, almost an e
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consciousness, came spontaneously i
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tantric art and their own. Like the
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94 ancient Hindus. Some inferences
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Bindu. The universe in its unmanife
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98 units of energy called tanmatras
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V Astronomical equations, based on
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Samkhya's view that it is possible
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Atoms The atomic hypothesis of the
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matter or the remaining sediment of
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The Siddhayoga of Vrinda is an Ayur
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The science of mathematics was clos
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Solar orb. An astronomical chart us
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Extant astronomical charts were use
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(beginning with the new and full mo
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ecorded in 1954. Though science has
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Being residing in heaven. The real
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126 Moscow Institute of Oriental St
Page 129 and 130: 128 of realization. Harmony is the
Page 131 and 132: Symbolic marks painted on wooden ma
Page 133 and 134: Yantra with mantra. 132 guru select
Page 135 and 136: Chakras in the etheric body. Rajast
Page 137: IX A practising Tantrika from north
Page 143 and 144: 142 Both mudras and nyasas are exte
Page 145: Schematic representation of how a y
Page 148 and 149: absorbed within the system and a gr
Page 150 and 151: object of concentration. Meditation
Page 152 and 153: After such a survey of various tech
Page 154 and 155: (from the root nad meaning motion,
Page 156 and 157: a red triangle 'radiant like the ri
Page 161 and 162: XVI
Page 164 and 165: to balance the dialectical process
Page 166 and 167: that involves the sperm's odyssey t
Page 168 and 169: inner spiritual urges to flow natur
Page 170 and 171: chaksuratatam'. He then salutes his
Page 172 and 173: Only when she is seen through divin
Page 174 and 175: IV Ram vanhyatmakam dipam sasaktika
Page 176 and 177: Sakti worship It is not physiologic
Page 178 and 179: om anaisvaryaya namah om avairagyay
Page 182 and 183: haga, which means both female organ
Page 184 and 185: That Power who exists in all beings
Page 186 and 187: either position, both the adepts en
Page 188 and 189: the Ida and Pingala subtle channels
Page 190 and 191: outgrow the merry-go-round of self-
Page 192 and 193: of beings and forms; (6) Chinnamast
Page 194 and 195: of the discipline may even abandon
Page 196 and 197: chants mantras, nor performs mudras
Page 198 and 199: BHUTA, any of the five elemental co
Page 200 and 201: PARA, last stage of consciousness.
Page 202 and 203: Bibliography Abhinavagupta, Tantras
Page 204 and 205: Panday, K. C, Abhinavagupta, Varana
Page 206 and 207: Index Abhinavagupta, 80 Absolute, 1
Page 208 and 209: Mercury, 19, 73 Mevlevi Dervishes,
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Ritual

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