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Cosmogram: an astronomical<br />
computation. Rajasthan, c. 19th<br />
century. Ink on paper.<br />
72<br />
texts the shape of the universe is depicted analogously as a human<br />
being standing with feet apart and the arms akimbo. The upper<br />
region consists of 16 heavens of 63 layers. The middle world,<br />
which coincides with the earthly plane, contains innumerable<br />
concentric rings of continents and oceans around the jambu-dvipa.<br />
The lower realm, in the shape of a half-drum, consists of 7 earths<br />
and 49 layers of the subterranean regions. Various elements<br />
combined according to a hierarchy of order assume architectonic<br />
structure when form and colour introduce rhythms into the<br />
composition. Thus the homogeneity of the cosmos is expressed in<br />
the combination of red and ochre squares which chart the body of<br />
the cosmic man. By means of their monumental size these scrolls<br />
have a majestic power: the onlooker is drawn into their living<br />
space to apprehend the hidden totality. In them, the function of<br />
form is purely analytical and it demonstrates that what is taking<br />
place within one's own body - persistently implying that man<br />
alone is the measure of all things. We must sink into our own<br />
wombs to find ourselves.<br />
Astronomy, the science of celestial bodies, had a decisive<br />
influence on tantra. Celestial tides and the movement of planets<br />
determine the time for various rites. As an inevitable consequence,