05.04.2013 Views

MusLi (Museums Literacy) - Fondazione Fitzcarraldo

MusLi (Museums Literacy) - Fondazione Fitzcarraldo

MusLi (Museums Literacy) - Fondazione Fitzcarraldo

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>MusLi</strong> - No qualifications needed: museums and new audiences<br />

ministrators, education officials, museum staff, prison officers, and inmates, but also medical personnel,<br />

psychologists, and prison educators and trainers at the Maison d’Arrêt de la Santé in Paris.<br />

We analyzed, qualitatively and comprehensively, the context of the project’s implementation, the<br />

adequacy and appropriateness of the content offered in regard to the unique needs of the target<br />

audience, the conditions of implementation and interactions between different project partners, the<br />

project’s overall coherence in comparison to the social and cultural missions of both institutions, and<br />

finally, the effects and benefits to those in the prison system.<br />

Methods<br />

The evaluation relied on:<br />

A review of documentation available on prisons and cultural action in prisons;<br />

A case study of cultural activities in prisons conducted by French museums;<br />

Expert interviews with legal representatives, academics, and museum professionals;<br />

71 interviews with persons in charge, coordinators, prison staff, and social and cultural stakeholders<br />

directly and indirectly involved in the program, and four group meetings with inmates who had<br />

participated in the program, and inmates who did not participate.<br />

The main results from the evaluation<br />

Compared to other artistic and cultural activities conducted in prisons, the museum as a cultural<br />

institution, presents challenges and constraints of its own:<br />

it requires actual contact between the individual and the original artwork, a very difficult task to<br />

achieve while in prison;<br />

it implies an experience of walking around the museum, an almost impossible task to achieve with<br />

regards to the restrictions imposed on inmates;<br />

finally, it requires complex knowledge and an interest for “high culture”, which are opposing prerequisites<br />

with regards to the usual profile of those detained.<br />

These elements represent major hurdles for museum activities in prison. The question of gaps in<br />

terms of artistic and cultural knowledge is reinforced by an absence or weakness of the inmates’<br />

“basic” knowledge, which for persons having a low literacy level is characterized as:<br />

difficulties in reading comprehension, understanding concepts, and an ability to abstract;<br />

significant gaps in spatial and time markers;<br />

a significant difficulty in self expression, both oral and written communication;<br />

difficulty in logical reasoning.<br />

Analysing the constraints on individuals and the prison system demonstrated the best way to translate<br />

the program’s effects on the inmate population.<br />

73

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!