05.04.2013 Views

MusLi (Museums Literacy) - Fondazione Fitzcarraldo

MusLi (Museums Literacy) - Fondazione Fitzcarraldo

MusLi (Museums Literacy) - Fondazione Fitzcarraldo

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

78 <strong>MusLi</strong> - No qualifications needed: museums and new audiences<br />

case 05<br />

The issue of language and ways for interacting with inmates<br />

The experience at the Maison d’Arrêt de la Santé has highlighted the importance of how to address<br />

and interact with people with a low literacy level. This issue of “how” alone deserves special attention<br />

and training for museum professionals in order to better develop their communication skills to assure<br />

a dynamic and invigorating transfer of their knowledge and ideas. All those who are directly or indirectly<br />

implicated in the project should be trained in the different ways of addressing and interacting<br />

(language, vocabulary level, attitudes and behaviours) that will allow them to better serve the needs of<br />

those with low literacy skills.<br />

The importance of “extra benefits”<br />

The objectives set by cultural institutions are too often focused on acquiring skills and knowledge and are<br />

too structured along the lines of traditional academic learning. This is occurring even as the dimension of<br />

sociability plays a more and more significant role among the objectives sought by cultural institutions and<br />

their partners. Yet, these social objectives, as well as those concerning intellectual and affective development<br />

and social reintegration, are all deserving of a more detailed analysis and of a place as important as<br />

those given to acquiring knowledge, as has been the tradition in most museums.<br />

Finally, the evaluation program designed by the Maison d’Arrêt de la Santé and the Louvre Museum<br />

raises the need to not adhere to an “adaptability to the market model” regarding the relationship between<br />

museums and society (implementing a cultural “offer” in response to a potential “demand”), but<br />

to develop a comprehensive and structured approach involving:<br />

Adequate knowledge of the target audience’s norms, values, and social representations and their limitations;<br />

Simple and easy access to information and support on available offers;<br />

Solutions a person’s practical and personal difficulties when accessing the offer;<br />

Implementation of an offer designed to be suitable and consistent<br />

But also, thinking about how to enhance, concretely or symbolically, activity participation 3 in order to<br />

go beyond the traditional concepts of accessing cultural products which would merely be “incidental<br />

and occupational.”<br />

3 In the example of the inmates in the Maison d’Arrêt de la Santé, participation certificates and reduction in sentences were favoured by participants.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!