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Volume 3 - Electric Scotland

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STRATH. 415<br />

improvement. The soil is often good, if it could be<br />

attained; the bane and antidote are alike obvious; nor<br />

is there any excuse when, as is the case here, the cover-<br />

ing of peat is not thicker than a plough could cut through.<br />

Hereafter, it may be turned loose in Strath ; and when-<br />

ever that happens, this valley, waving with corn, will<br />

wonder at its new dress.<br />

Strath presents no small charms for a geologist ; but<br />

indeed so few persons have seen statuary marble grow-<br />

ing any where but in a lapidary's yard, that it deserves<br />

the regard of all those who, in these days of universal<br />

knowledge, can talk of Thorwaldsen, and Canova, and<br />

the Parthenon, in dainty terms ; and of studios, and me-<br />

topes, and hexastyle peristyles, and pronaos, and cella;<br />

and who would faint at the sight of the ignoramus who<br />

should say Phidias when he ought to say Pheidias. Here,<br />

is a considerable quantity of this material, of a very fine,<br />

even texture, and of a perfect white. Being much more<br />

compact than Carrara marble, it is more hard to cut, and<br />

would therefore cost somewhat more in the working.<br />

But, in statuary, that is not of the same moment as in<br />

architectural ornaments ; since the mere labour in the<br />

former, bears a small comparative proportion to the time<br />

required in adjustments and attention. The counter-<br />

vailing advantage arising from the same cause, is, that<br />

it does not retain that white mark from the chisel<br />

which is the consequence of a bruise, and which is<br />

technically called stunning. In fine draperies, and,<br />

more than all, in bas-reliefs, this is a very serious de-<br />

fect; because the bruised and white mark comes pre-<br />

cisely where the deepest shadow ought to be; thus en-<br />

tirely deranging the meaning and effect of the work.<br />

Hence the marble of Sky is particularly adapted for<br />

small works in basso, or indeed in any kind of relief.<br />

The texture being compact and splintery, and not granu-

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