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Volume 3 - Electric Scotland

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STRATHAIRD. 429<br />

the use of rustic work, with advantage. The vermicula-<br />

tions, and some other ornaments used for this purpose,<br />

seem originally to have come from the same source<br />

though artists do not novi^ remember whence they were<br />

at first derived ; copying what is before them, without<br />

concerning themselves about its origin, and, very often,<br />

caring as little about its congruity. In the natural waste<br />

of many sandstones, these ornaments are produced by the<br />

unequal hardness of the substance; and, in many ancient<br />

castles built of this rock, it is scarcely possible to avoid<br />

thinking that the mason has actually carved those forms<br />

which are merely the result of time and weather. The<br />

variety which they afford is far more considerable than<br />

could be expected. Roslin castle, among many others,<br />

presents some singular specimens. I do not, however,<br />

mean to justify or recommend this kind of ornament;<br />

since, when it goes beyond the simplest hatching, and<br />

that, in the basement story only, it seems to me abso-<br />

lutely abominable. That kind which resembles piles of<br />

dead men's bones, such as they may be seen in charnel<br />

houses, is most particularly detestable : I know not if it<br />

be not even worse than the stalactitic ornament; unless,<br />

indeed, where this is displayed as it was formerly at Bur-<br />

lington House; where the columns appeared dressed up<br />

in wigs, very much like those which Neptune manufac-<br />

tures out of spun-yarn when he is to cross the Line.<br />

Artists have been at a loss to know whence the earliest<br />

of our ecclesiastical masons borrowed some of their orna-<br />

ments. It is not impossible that one of the most conspi-<br />

cuous of the whole, the chevron so general in the soffits<br />

of the early Norman arches, may be traced to the same<br />

rock, sandstone, though under different circumstances.<br />

I have seen the face of a cliff ornamented in this manner,<br />

so as to have every appearance of a work of art. Eda,<br />

in Orkney, affords one of the most remarkable specimens<br />

;

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