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Microsoft Word - PhD Thesis Final.pdf - University of Limpopo ...

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each and every approach, depending on various circumstances. For this<br />

study, after considering all practical circumstances, I decided to carry out<br />

interviews at all stages <strong>of</strong> my interview – beginning, middle and end – but<br />

putting much emphasis on the first stage, in which I familiarised myself with<br />

the territory, in order to absorb and assess what I would be hearing. Another<br />

reason why I put emphasis on early interview was because I needed to form<br />

an overall view <strong>of</strong> the territory, and also to be able to interview the very<br />

elderly, frail and those who were seriously ill – who are all key witnesses at<br />

the earliest possible time.<br />

Selecting potential interviewees.<br />

On deciding on whom to interview, the most relevant questions are: how<br />

long were the potential informants acquainted with the subject under study,<br />

and was this first hand information or not? Fellow academics or authors<br />

could also help to identify helpful interviewees which they themselves relied<br />

upon in their works. Ed Eastwood, a rock art specialist who was recording<br />

and studying Khoisan and Sotho rock art paintings in Makgabeng, as well<br />

as Tlou Makhura, who wrote his masters thesis on the 1894 Malebogo-Boer<br />

War, were some <strong>of</strong> the pr<strong>of</strong>essionals I relied upon in identifying helpful<br />

informants. Other academics whose studies are based on the Makgabeng,<br />

those whom I have consulted, were Benjamin Smith as well as Johny van<br />

Schalkwyk. They all helped me to identify the most informative interviewees<br />

about the Makgabeng area.<br />

23

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