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Equality, Participation, Transition: Essays in Honour of Branko Horvat

Equality, Participation, Transition: Essays in Honour of Branko Horvat

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x Foreword<br />

<strong>in</strong>stitution most dear to <strong>Horvat</strong>’s heart has been worker management.<br />

I believe most <strong>of</strong> the contributors to this volume share <strong>Horvat</strong>’s belief<br />

that some form <strong>of</strong> <strong>in</strong>dustrial democracy can be found that can be made<br />

to work. This is not a widely popular view these days and I am among<br />

those who have been critical <strong>of</strong> the forms that it has taken <strong>in</strong> the former<br />

Yugoslavia. However, the ten years that I spent at the beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong><br />

my worklife as a merchant seaman gave me some sense <strong>of</strong> its problems<br />

and possibilities at a practical level, and that has left me with a fixed<br />

desire to keep this option open. Perhaps most important was this:<br />

when I moved from the sea to academia I found my new colleagues to<br />

be far more articulate than my old shipmates; but I found no <strong>in</strong>crease<br />

<strong>in</strong> wisdom.<br />

<strong>Horvat</strong> has made some efforts to try and meld central ideas <strong>of</strong> Marxism<br />

with those <strong>of</strong> neoclassical political economy. For many these days,<br />

<strong>in</strong>clud<strong>in</strong>g myself, Marxism is clearly a spent <strong>in</strong>tellectual force. But <strong>in</strong><br />

our century, Marxism has been the only <strong>in</strong>tellectual force that has been<br />

anchored firmly <strong>in</strong> an attempt to understand and defend the <strong>in</strong>terests<br />

<strong>of</strong> the wretched <strong>of</strong> the earth. The latter, this underclass, is probably<br />

larger today than it has ever been, and it will acquire a voice. Those<br />

<strong>in</strong>terested <strong>in</strong> develop<strong>in</strong>g that voice can do no better than to build on<br />

the humane, <strong>in</strong>formed, analytic, and committed elements provided by<br />

the works and career <strong>of</strong> <strong>Branko</strong> <strong>Horvat</strong>.<br />

Berkeley, California BENJAMIN WARD

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