19.06.2013 Views

The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Kuluni points out that justice and its distribution 1 <strong>The</strong> title of the exhibition<br />

is important to all those who take part in the distri- was defined in the course of<br />

bution of the common good. Most people, howev- work meetings with Ph.D.<br />

er, feel that their position in society is "unjust". This Sonja Briski Uzelac who was<br />

logically leads to the question of the model of art's the first to hear about the<br />

function and its position in the context of project. <strong>The</strong> title seemed to<br />

social reality. What, Row and for whorn37, are fit the discourse I planned to deal<br />

the questions increasingly posed by all with in this exhibition. Only later<br />

involved in art. As much as we believe that art did I<br />

find out that <strong>The</strong> <strong>Misfits</strong> was<br />

can affect reality, without dealing with reality, the title of John Huston's movie<br />

it is patently obvious that no csociety can be from 1961 with Montgomery Clift<br />

good without the corrective function of art. and Marilyn Monroe. It is also the<br />

name of an American rock band<br />

from the 1980s. Croatian new wave<br />

band Film, active in the 1980s, had a<br />

hit with the chorus "I am a misfit".<br />

2 After the term "relational aes-<br />

thetics" coined by Nicolas<br />

Bournaud.<br />

3 Miko uvakovie: Glosar,<br />

Projektart: Hnatus, modernama<br />

postmodernizma. magazine. Novi<br />

Sad 2001, p.425.<br />

4 Instructive in this sense is Miko<br />

uvakovie's article "Art and realistic<br />

specters of culture", published in<br />

ivot <strong>umjetnosti</strong>. <strong>Zagreb</strong> 2002, p<br />

106. uvakovic discusses the posi-<br />

tion of art in former communist<br />

countries after the fall of the Berlin<br />

Wall, its reception and interpreta-<br />

tion on the European scene. He is<br />

highly critical of large exhibition<br />

projects in the 1990s that, in his<br />

opinion, presented art of -East<br />

European countries" as "traces,<br />

remnants and ruins" of a failed ide-<br />

ology, indicating a total lack of<br />

understanding as well as a lack of<br />

interest in accepting the relevance<br />

of art from behind the Iron Curtain.<br />

15 I<br />

THE MISFITS

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!