The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

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1976 Biennale di Venezia, Venezia 1979 Bienal Sao Paolo, Sao Paolo 1987 Moderna galertja, Zagreb 1992 Galerie L'011ave, Lyon 1994 Gliptoteka NAZI). Zagreb 1998 Muzej suvremene umjetnosti, Zagreb 2000 Galerija proirenih medija. Dom hrvatskih likovnih umjetnika. Zagreb 2001 Galerija Forum, Zagreb Selected Group Exhibitions 1959 Art Yougoslave daujourdhui, Galerie Creuze, Pariz 1960 La jeune sculpture. Musee Rodin. Pans 1961 Exposition Internationale de la sculpture contemporaine. Musee Rodin, Pariz 1963 Actualites de la sculpture. Galerie Creuze. Pariz 1988 Hirshorn Museum, Soros Fundation, Washington 1990 Fra-Yu-Kult. Galery 369, Edinburg 1993 The Horse Who Sings/Radical Art from Croatia. Museum of Contemporary Art. Sydney 1994 Skulptur in Kroatien 1950-1990., Wilhelm Lembruck Museum. Duisburg 1997 Gorgona. Gorgonesco. Gorgonica, Biennale di Venezia 2000 2000 plus. Moderna galerija. Ljubljana Aspects/positions. Ludwig Museum. Bet Selected Bibliography elimir KosCevi, Ivan Koarie- monografija. Naklada Naprijed. Zagreb, 1996 Antun Marait , Evelina Turkovit, The Koarie Studio, Idea Imago, Zagreb. 1996 Ivica Zupan, Vedri Sizif Razgovon s lvanom Koiaricem. Naklada MD, bib- lioteka Duchamp. Zagreb. 1996 Michel Seuphor, La sculpture de sci- ecle, Pariz, 1959 Igor Zidie. pref. cat. Galerija suvremene umjetnosti. Zagreb. 1988 elimir Kotevit, pref.cat. Galerija Sebastijan, Beograd. 1989 Antun Maratie, pref. cat. Drvo, Muzej suvremene umjetnosti, Zagreb. 1999 Antun Marai, pref. cat. Skulptura 1954 - 2000. Galerija prosirenih medija i Dom hrvatskih likovnih umjetnosti. Marija Gattin, Gorgona, Gorgonesco, Gorgon/ca. A.I.A.P. UNESCO Comitato Italiano Biennale di Venezia THE MISFITS I 194 ANDREJA KULUNEIE Born in 1968. Graduated from the Academy of Fine Arts in Balgrade, in 1992. Lives and works in Zagreb. Selected Solo Exhibitions 1994 Ambient installation, Amman, Abdul Shoman Foundation. gallery Darat Al Funun.. Jordan 1996 About space, gallery Tam Tam, Budapest Ambient installation, Intermedia Arts. Minneapolis 2000 Ambient video installation Man Constructor, SC Gallery Zagreb Closed Reality-Embryo. Gallery Miroslav KraljeviC, presentation of 6 months. Zagreb 2001 Working space installation & discus- sion, Gallery Multimedia Cultural Center. Split Selected Group Exhibitions 1997 Biennale of Young Artists. Moderna Galerija, Rijeka 1998 Media - Scape 6, presentation of web-projects. Museum of Contemporary Art, Zagreb Sound-image installation, Kunsthalle Exnergasse, Wienna Internetgalaxis98, web-based installation. Budapest 1999 VIPER, International Film Video and Media Festival. Lucerne 5th International Festival of New Film, Grand Prix in new media cate- gory, Split
FILE. Electronic Language International Festival. SAo Paulo Flip - exhibition of 5 USA and 7 Croatian artists. Gallery The Brewery Project, Los Angeles, A Small Country for a Big Vacation, SKUC. Ljubljana What. How & For Whom, international contemporary art exhibition. Zagreb Ambience 90. Sarajevo EMAF, European Media Art Festival. Osnabruck 2001 To Tell a Story. Museum of Contemporary Art Zagreb What. How & For Whom. WUK Kunsthalle Exnergasse, Vienna Double Life, Generali Foundation. exhibition, Internet / CD-ROM part, Vienna The Alternative Museum, New York. Winter 2001 web-based exhibition. 10th Triennale-India Video and Media Festivals 2001 VIDEOLISBOA, International video festival, web selection Lisabon, Portugal. SeaFair '01. Skoplje. Macedonia Selected Bibliography Branko Franceschi, pref. cat. Closed Reality - Embryo. Galerija Miroslav Kraljevit, Zagreb, 2000 web-site: http://www.andreja.org VLADO MARTEK Biography Vlado Martek was born 1951, in Zagreb. He graduated from the University of Zagreb. major in Literature and Philosophy. Lives and works in Zagreb. Selected Solo Exhibitions 1979 Elementary Processes in Poetry. Galerija Pod rum. Zagreb 1985 Slips of the Tongue. Galerija proirenih medija. Zagreb 1988 Arbeiten auf Papier. Gallerie Ingrid Dacic, Tubingen 1992 Galeria Potocka, Krakow. 1996 Troubles with Ethics, Galerija Kapelica. Ljubljana 1998 Troubles with Aesthetics, Gallery of SCCA. Prague 2000 Parallels, Galerija Karas, Zagreb Selected Group Exhibitions 1978 New Art Practice 1966 - 1978, Galerija suvremene umjetnosti Zagreb 1981 Kunstlerbucher, Kunstverein, Frankfurt Llibres d' artista. Galeria Metronom, Barcelona 1982 Innovations in Croatian Art of the Seventies, Galerija suvremene umjetnosti. Zagreb 195 1 THE MISFITS 1990 FRA YU KULT The Collection of Franciscan Monastery, The 369 Gallery. Edinburgh 1993 A Horse who Sings/ Radical Art from Croatia. Museum of Contemporary Art. Sydney 1999 Fluxus, Galerija suvremene umjetnosti, Zagreb Aspekte /Positionen: 50Jahre Kunst aus Mitteleuropa 1949- 1999. Museum moderner Kunst, Vienna 2000 What. Why and for Whom. Dom HOW, Zagreb Chinese Whispers. Apex Gallery, New York 2001 Retrospective of the Group of Six Authors, Moderna galerija, Ljubljana Marker's Project, Via Garibaldi, Biennale, Venice Selected Actions/Agitations 1976 Tearing bank notes. up to the neck in the sea, Motenitka draga 1978 Read Mayakovski, Poetic agitation 1.. Zagreb 1980 Selling money for half the value (of a particular bank note). Galerija SC, Zagreb 1981 Read Kamov. Poetic agitation 7. Collecting garbage on the street of residence as a condition-obstacle and preparation for writing a poem. Zagreb 1982 More sex - less work. Graffito, Zagreb Artist' armatevi, Poetic agitation 8. The opening of the Biennale, Venice
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Editor / Urednik Tihomir M ilovac C
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ESSAYS / ESEJI Tihomir Milovac THE
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Tihoinir M ilovac E FITS' The term
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work is still relevant. Its staying
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Tomislav Gotovac Foxy Mister, 2002
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and well-founded hypothesis of the
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Kuluni points out that justice and
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Ivana Keser and Tomislav thank you)
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traces' of art within the process a
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But the axis of the neoavantgarde w
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concept of the artist which include
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y the text). At his Retrospective (
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the optical illusion or a mental ef
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Branka Stipanie omatio- (eljko Jerm
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putting it together in a perfunctor
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Branka Stipanie A_ In id Manifesto,
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supposed Pantha belong to the same
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Nada Bero It has always been the am
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put up in 1961. while the Weekend A
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end hikes on Medvednica, and gradua
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1 Official art history in Croatia,
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Nataa Hit reg,RLEAz . 1- With the d
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on the local and world art scene at
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port which wasn't spent on the prod
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51 I THE MISFITS
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U" Gorgona Group / Grupa Gorgona Ch
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Josip Vanita Homage to Manet / U sp
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THE MISFITS 1 60
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Julije Knifer Meander No. 2 / Meand
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THE MISFITS I 64
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THE MISFITS I 66
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Dimitrge BaSievit - Mangelos Moscow
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Tomislav Gotovac Showing Elle / Pok
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Tomislav Gororc Streaking, Belgrade
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Red Peristyle / Crveni Peristil Pai
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Braco Dimitrijevit Painting by Krei
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Braco Dimitrijevit Casual Passer-by
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Goran Trbuljak Bangs on this pipe p
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Goran Trbuljak I do not wish to sho
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85 1 THE MISFITS
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Group of Six Artists / Grupa estori
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Sven Stilinovit The Razor Blade Fla
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As an artist, I learned from both E
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Mladen Stilinovit 71M111111. Exploa
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Mladen Stilinovit Exploatation of t
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Mladen Stilinovi The Artist Who Can
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12 Jutarnii UST Novac poduzetniitvo
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THE MISFITS I 102 Vlado Martel( Bal
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Vlado Martel( Hairy Flag / Dlakava
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11.- _
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Tomislav Gotovac Lying Naked on the
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Tomislav Gotovac Steckle, Hammer an
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Uhiena zbog antifaistike djelatnost
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Uhitena zbog antiraSistitke djelatn
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Sanja Ivekovit Lady Rosa of Luxembo
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2eljko Kipke Curses / Kletve, 2000
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THE MISFITS I 124
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Dalibor Martinis Line of Fire / Vat
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Dalibor Martinis Parken Verboten, R
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131 I THE MISFITS
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Aleksandar Battista Weekend Art: Ha
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Co "Iv Art is an NGO founded by Ale
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.....-., L. ' . A ...i. %........-.
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THE MISFITS I 142
Page 146 and 147: Marijan Jevovar Grey Surface / Siva
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Page 150 and 151: Politiari, ubjajte se (1996.). dana
Page 152 and 153: Sloboda, Umjetnost, ....Nesumnjiva
Page 154 and 155: 1 Naslov je izlobi definiran za vri
Page 156 and 157: 27 ieljko Kipke: Kletve i brojevi,
Page 158 and 159: intertekstualizam i kontekstualizam
Page 160 and 161: No, okosnica je neoavangardnog vala
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Page 166 and 167: i koncept rada sa svijetom (znanje,
Page 168 and 169: fotografskim materijalima. Uspostav
Page 170 and 171: ture nego koncept djela - za Borisa
Page 172 and 173: Manifesti kod Mangelosa dolaze na k
Page 174 and 175: Nada Bero Oduvijek je ambicija povj
Page 176 and 177: Oba vremena - i ezdesete i devedese
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Page 180 and 181: S Umjetnici su svoju malu CoCoArt (
Page 182 and 183: da sa soc-realizmom. podijeljena no
Page 184 and 185: udruivanje da bi se uope mogla ostv
Page 186 and 187: THE MISFITS 1 184 118011APVIEs i
Page 188 and 189: 2000 Museo Nacional de Colombia. Bo
Page 190 and 191: 2000 Blow up. Gallery of Contempora
Page 192 and 193: 1986 Photopaintings. Galerija DDT-
Page 194 and 195: 1989 Mundus Subterraneus, Mali salo
Page 198 and 199: 1983 Les artistes aux armes. Poetic
Page 200 and 201: Experiment, Stedelijk Museum, Amste
Page 202 and 203: 1986 Gorgona Galenja Studentskog ku
Page 204 and 205: THE MISFITS I 202 EliTRUMWAs /
Page 206 and 207: Ivana Keser Local News / Lokalne no
Page 208 and 209: M laden Stilinovi The Beg People /
Page 210: Publisher / lzdava Museum of Contem
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