The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

Ivana Keser and Tomislav thank you). The artist begging, faces whose ordinariness and
Gotovac 26 December 1980. 10:30-11:30, imperfections above all point
17 This was in the postwar Rica 1, in front of the Church towards a need for permanent
period (after 1995) when a of Wounded Jesus. democratization dominated art
number of social and political 25 Some aspects of his artistic (Thomas Ruth) and in particular
anomalies were gravely hin- practise Gotovac realises advertising (Benetton).
dering the democratization under the title Paranoia View 31 Braco Dimitrijevie: Tractatus Post
process in Croatia Art. Historicus. Dacic, Tubingen. 1976.
18 Nicolas Bourriaud: 26 Exhibitions: /Do Not Want 32 David G. Torres: Ivana Keser: My
Relational Aesthetics, pirate to Show Anything New or life is (not) your life. Global
edition, Center for Original. Student Center Position/ Museum in Progress,
Contemporary Art, Belgrade Gallery, Zagreb 1971; The Fact Barcelona 2000.
19 Members: Pave Dube, That Someone Is Given a 33 The text of Bin Laden's now infa-
Slaven Sumit, Toma aleta. Chance to Have an Exhibition mous message to the U.S. following
Radovan Kogej, Nenad Dapie, is More Important Than What the attack on WTC in which he
Denis Dokie, Boo Jelini, Is Exhibited, Gallery of states the U.S. will not have peace
Srdan Blaevie Contemporary Art, Zagreb, until Palestinians achieve justice.
20 More in Branka Stipaneit's 1973: This Exhibition Reflects 34 Founded by artists Aleksandar
article: This Is Not My World, the Continuity of My Work, Battista Hie and Ivana Keser.
in this publication Gallery of Contemporary Art 35 http://embryo.inet.hr
21 Miko uvakovie: Studio, Zagreb, 1979. 36 ht-tp://www.distributive-
Postavangarda: grupa 27 Zeljko Kipke. Curses and justice.com
estorice autora 1975 -1978 Numbers, The Museum of the City (Curators: Tomislav Janovie,
poslije, Grupa estorice autora, of Rovinj, Rovinj, 2000. Neven Petrovie, Gabrijela
Institute for Contemporary Art, 28 More extensively in Branka Sabol, Ivo Martinovie, Matija
Zagreb, 1998, p. 60. Stipanie's text: Dimitrije Puiar, Dejan Jankovie, Trudy
22 Tomislav Gotovac's most impor- Baievie Mangelos - Manifes- Lane)
tant films from the period are The tos, in this publication. 37 What. How and For Whom
Morning of a Faun, 1963: The Line 29 Nena Dimitrijevie calls it is the name of an independent
(Stevens-Duke). 1964, Blue Rider urban mimicry, illustrating it artistic association for visual
(Godard-art), 1964: The Circle with the fact that Braco culture that in 2000 mounted
(lutkevich-Count), 1964; Glenn Dimitrijevie used similar strat- an exhibition of the same
Miller I - The High School Ball Court egy in other urban communi- title, and in 2001-2002 in
1,1977. ties in other social and politi- Project: Broadcasting investi-
23 Happening was performed in the cal systems, such as London gates the phenomenon of
basement of the Pavao Markovac and Pans, but with character- communication and new mod-
Hall in !Ilea 12 in Zagreb with partic- istic elements of local urban els of art function.
ipation of Tomislav Gotovac, Ivo iconography (for instance, the
Lukas and Hrvoje ercar. obelisk in London).
24 The full title of the action is: 30 It is interesting to note
Begging (Please give a donation, that in the 1990s unknown
17 j THE MISFITS