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The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

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Branka Stipanie<br />

A_<br />

In id Manifesto, drawing upon the biopsycho<br />

theory he had heard of as a school boy in Sid,<br />

Dimitrije Baievi divided his life into nine<br />

and a half Mangeloses. According to this theo-<br />

ry, the cells of the human body undergo a<br />

complete change every seven years. This<br />

means that completely different subjects exist<br />

within the same person. Mangelos uses this<br />

theory to account for the differences in the<br />

early and late phases of various artists and<br />

philosophers: there are two Rimbauds, two<br />

Marxes, three Van Goghs, "several" Picassos<br />

and nine and a half Mangeloses.<br />

One Mangelos was a critic and a curator,<br />

another lost faith in all of that and decided to<br />

start afresh from a tabula rasa. One was<br />

involved in the running of cultural institutions,<br />

while the other began to doubt the values of<br />

such organisations, prompting yet another to<br />

persevere in his struggle to formulate the<br />

artistic idiom called "no-art".<br />

Mangelos no.1 (1921-1928) was a country boy from<br />

Sid; Mangelos no.2 (1928-1935) was a secondary and<br />

high school student: Mangelos no.3 (1935-1942)<br />

began making black marks in his school notebooks<br />

marking the deaths of friends killed in the war, later,<br />

he called these Paysages de la mort and Paysages de<br />

la guerre, Mangelos no.4 (1942-1949) wrote his first<br />

Alphabet and began studying the history of art;<br />

Mangelos no.5 (1949-1956), no.6 (1956-1963) and no.<br />

7(1963-1970) were, by now, deeply involved in art,<br />

producing Tabulae Rasae - painting black tablets<br />

and Paysages - pages resembling school slates with<br />

lines drawn across them; writing words and texts on<br />

paper and boards: drawing over art reproductions<br />

and calling them "anti-peinture"; writing "no-sto-<br />

ries" - texts and poetry inscribed in notebooks<br />

painted black: writing theses and projects... and<br />

becoming a member of the avant-garde Croatian<br />

group Gorgona whose radical projects were rooted<br />

in the notion of anti-art. Mangelos no.8 (1970-1977).<br />

no.9 (1977-1984) and no.9 and a half (1984-1987) for-<br />

Dimitrije Baieevie - Mangelos<br />

Paysage de la querre<br />

33 I THE MISFITS

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