The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

ined the private and the familiar, wittily dis-
torting the meaning and setting traps and rid-
dles. A rebellious skeptic? Or an ironic scien-
tist? Common to all of his work was, on the
one hand, text: the school boy's handwriting
on a background of drawn lines, and on the
other hand, revolt and irony. Never consent-
ing, yet attempting to find new modes of thought.
to conceive of a personal version and private pro-
gramme in relation to civilisation. Mangelos called
this: NO-ART.
THE MISFITS I
36