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The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

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on the local and world art scene at the time<br />

were an offspring of the spirit of togetherness<br />

following the '68 collectivism and last appear-<br />

ance of modernist trust in the social mission<br />

of art and artists. Even though the manifesta-<br />

tion Book and Society - 22% was about a col-<br />

lective action, what was more important was<br />

the collaboration of Igor Grubi with the<br />

Autonomous Cultural Factory Attack which<br />

gathers together various initiatives of alterna-<br />

tive culture. At the time, its structure and the<br />

Andreia Kulukk<br />

Closed Reality - Embryo, 2000<br />

dynamics of relations towards the state and civil<br />

society represented an ideal and perhaps the most<br />

successful reminiscence of the organizational<br />

model of the most productive alternative culture in<br />

the '80s, so that it would develop into one of the<br />

most authentic carriers of the anti-globalization<br />

program today.<br />

<strong>The</strong> shift of artistic activity from expressing<br />

unbounded creativity to the creation of a new<br />

model of sociability and communication situations<br />

is present also in the work of artist Andreja Kulunit<br />

(b. 1968). Her project Closed Reality - Embryo<br />

(http://embryo.inet.hr) is a multidisciplinary art<br />

project which explores, in an experimental way, the<br />

implications of genetic manipulations, instigating<br />

and researching the level of social consciousness in<br />

general with regards to questions about the mar-<br />

ginalization and the closing of non-marketable<br />

options of the future. <strong>The</strong> project was realized as an<br />

interactive web page through several develop-<br />

ment stages presented in a gallery, as well as<br />

in a series of lectures, presentations. talks and<br />

discussions with various institutions of artistic,<br />

educational, feminist and scientific orienta-<br />

tion. Here again we see an attempt to articu-<br />

late a socially relevant issue by confronting<br />

various audiences (academic, activist, expert),<br />

questioning the educational possibilities of<br />

art, using the energy of team work and the<br />

hybrid organizational model which are both<br />

based in the art world as well as in the realm<br />

of activism and civil organization. <strong>The</strong>se same<br />

features are present in the latest project by<br />

Andreja Kuluni, the multidisciplinary project<br />

Distributive Justice (http://www.distributive-<br />

justice.com) which deals with the issue of just-<br />

ness in the distribution of goods within a com-<br />

munity. Again the project is being realized as<br />

an interactive work on the Internet, a series of<br />

lectures, discussions, presentations and differ-<br />

ent forms of gallery presentations, but in this<br />

project, whose duration temporally has been<br />

defined as running from 2001 to 2003, the<br />

ambition to develop into a permanent open<br />

forum has also been clearly articulated.<br />

<strong>The</strong> project Weekend Art: Hallelujah the Hill<br />

(1996-2000) by artist Aleksandar Battista Ili (b.<br />

1965) was realized in collaboration with artists<br />

Ivana Keser (b. 1967) and Tomislav Gotovac (b.<br />

1937). In the late '50s Tomislav Gotovac made<br />

47 I THE MISFITS

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