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The Misfits.pdf - Muzej suvremene umjetnosti Zagreb

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As an artist, I learned from both East (social- by Pierre Cabanne what had brought him most<br />

ism) and West (capitalism). Of course, now pleasure in life, Duchamp said: "First, having been<br />

when the borders and political systems have lucky. Because basically I've never worked for a liv-<br />

changed, such an experience will be no longer ing. I consider<br />

working for a living slightly imbecilic<br />

possible. But what I have learned from that from an economic point of view. I hope that some<br />

dialogue, stays with me. My observation and day we'll be able to live without being obliged to<br />

knowledge of Western art has lately led me to work. Thanks to my luck, I was able to manage<br />

a conclusion that art cannot exists any more in without getting wet".<br />

the West. This is not to say that there isn't any. Malevich wrote a text entitled "Laziness - the real<br />

Why cannot art exist any more in the West? truth of mankind" (1921). In it he criticized capitalism<br />

<strong>The</strong> answer is simple. Artists in the West are because it enabled only a small number of capital-<br />

not lazy. Artists from the East are lazy; ists to be lazy, but also socialism because the entire<br />

whether they will stay lazy now when they are movement was based on work instead of laziness.<br />

no longer Eastern artists, remains to be seen. To quote: "People are scared of laziness and perse-<br />

Laziness is the absence of movement and cute those who accept it, and it always happens<br />

thought, dumb time - total amnesia. It is also indif- because no one realizes laziness is the truth; it<br />

ference, staring at nothing, non-activity, impotence. has been branded as the mother of all vices,<br />

It is mere stupidity, a time of pain, futile concentra- but it is in fact the mother of life. Socialism<br />

tion. Those virtues of laziness are important factors brings liberation in the unconscious, it scorns<br />

in art. Knowing about laziness is not enough. it must laziness without realizing it was laziness that<br />

be practiced and perfected. gave birth to it; in his folly, the son scorns his<br />

Artists in the West are not lazy and therefore not mother as a mother of all vices and will not<br />

artists but rather producers of something <strong>The</strong>ir remove the stigma; in this brief note I want to<br />

involvment with matters of no importance. remove the stigma of shame from laziness and to<br />

such as production, promotion, gallery sys- pronounce it not the mother of all vices, but the<br />

tems, museum systems, competition systems mother of perfection".<br />

(who is first), their preoccupation with Finally, to be lazy and conclude: there is no art<br />

objects, all that drives them away form lazi- without laziness.<br />

ness, from art. Just as money is paper, so too is<br />

a gallery a room.<br />

Artists from the East were lazy and poor<br />

because the entire system of insignificant fac- WORK IS A DISEASE - KARL MARX<br />

tors did not exist. <strong>The</strong>refore they had time Mladen Stilinovit<br />

enough to concetrate on art and laziness. Even<br />

when thay did produce art, they knew it was in WORK IS A SHAME<br />

vain, it was nothing. Vlado Martek<br />

Artists from the West could have learnt about<br />

Laziness, but they didn't. Two major 20th cen-<br />

tery artists treated the question of laziness, in<br />

both practical and theoretical terms: Duchamp<br />

and Malevich.<br />

Duchamp never really discussed laziness, but<br />

rather indifference and non-work. When asked Mladen Stilinovit, 1993

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